JOE TALBOT LEANS across the table as he cradles a cup of coffee in his Bristol home. "I have two things in my life: my child and this album," he says. The album in question is TANGK, IDLES' fifth and most musically adventurous record yet. After he speaks to me vivaciously about its themes of love and his continued recovery from addiction, he heads off to pick his child up from school. "This is the best job in the world," he smiles of the dual passions that currently rule the 39-year-old's life.
Forming in Bristol in 2009, IDLES started out making soft indie-pop songs in the vein of The Maccabees. The next near-decade saw line-up changes and hundreds of small gigs which led to them toughening up their sound and releasing lauded debut album Brutalism in 2017. Its raucous, crunchy sound and Talbot's unashamedly vulnerable and political lyrics ("The best way to scare a Tory is to read and get rich," he boomed on 'Mother') struck a chord with both young listeners and disenfranchised old punks. After toiling away for eight years, they became the most important guitar band in the country almost overnight.
Second album Joy as an Act of Resistance followed in 2018, and soon they were headlining Alexandra Palace and being held up as the latest in a long line of saviours of British guitar music whether it needed saving or not. They doubled down on the formula on 2020 album Ultra Mono, before taking a reflective step back on the following year's CRAWLER, an album more concerned with lyrical and sonic experimentation than the battering ram of drums and guitars that they'd made their name with. Throughout it all, Talbot has been unwaveringly open in his interviews and lyrics about his struggles with addiction and how the band and its community of fans have supported him and lifted him up during his journey.
ãã®èšäºã¯ Rolling Stone UK ã® February/March 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã8,500 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Rolling Stone UK ã® February/March 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã8,500 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
'It's like I'm dancing with death'
Colombia's corralejas bull fights area bloody free-for-all where only the humans die
the CONTINUING EDUCATION of FRA FEE
With roles in queer dramas, West End shows and Zack Snyder's Rebel Moon sequel, Fra Fee is an actor in his prime who wants to experience it all. Here, he talks to Rolling Stone UK about his childhood in musical theatre, the pressure of working in the Marvel Cinematic Universe and being guided by a zest for learning
Anitta's Funk Revolution
After a major health scare, the Brazilian star learnt to let go and got back to her roots
WARPED REALITY
With 2022's spine-tingling debut Unlearning, Glasgow glam-pop collective Walt Disco marked themselves out as one of the most intriguing outfits on the UK's alternative scene. On brilliant follow-up The Warping, however, they're shapeshifting boldly into the band they were always meant to be...
Kristen Stewart
After more than two decades in the spotlight, Stewart knows who she is - and what she wants
Too much Too young
Peaky Blinders writer Steven Knight's latest creation This Town takes viewers back to the Midlands of the 80s, telling the story of a group of disenfranchised young people for whom music is the only way out
" MY PASSION IN LIFE IS CHILLING "
In the five years since the release of Father of the Bride, Vampire Weekend's Ezra Koenig has lived across the world with his family, shed a cynicism that had followed him around since his teens, and made new album Only God Was Above Us, the band's most interconnected statement yet - all while discovering a new laidback philosophy
"I don't feel like I need a future drawn out for me"
From Kick-Ass to Kraven the Hunter via his next big role opposite Ryan Gosling in The Fall Guy, Aaron Taylor Johnson is Britain's next big film star
25 faces of the future
Rachel Chinouriri reflects on her struggle to overcome stereotypes and establish herself as a Black indie artist, as well as the heartbreak that informs her forthcoming debut album
big specia
Big Special's Joe Hicklin and Callum Moloney are finally ready to unleash their state-of-the-nation debut album