WE struck off by discussing the differences in how they each got started in dressage...
REBECCA: I started out at our local riding school when I was 10 years old in Belgium where I lived at the time. We moved to the UK when I was 13 and that's when I got my own pony and got involved doing all the usual Pony Club things.
I didn't really have a horse that could jump, so I had to do all of the tack and turnout competitions at the local gymkhanas. But I'd always enjoyed schooling the horses and I entered a talent spotting competition that they used to have years ago at Talland School of Equestrian. I ended up winning that - totally out of the blue and that switched me onto dressage.
I spent a year as a working pupil with the late Sarah Whitmore, who had a lot of other young riders based with her - and that was it for me. But back then I didn't realise it could be a career.
GARETH: I also always had a pull to dressage but goodness knows where it came from. I grew up in a place called Jimboomba in Australia, which wasn't exactly the epicenter of world dressage. We didn't have the internet then, so I used to get magazines and I remember my grandparents coming over for Christmas and gifting me a subscription to British Dressage magazine, so I followed it as much as I could, then I started watching VHS training tapes from Europe.
But I grew up working with Arabian horses; I did in-hand showing, Western and English. The breed was huge in the 1980s and '90s in Australia. It was so big that a lot of the performance riders in Australia were also involved in that world.
At the time, I wasn't sure whether I was going to do horses or play saxophone for a living- but as it turned out I wasn't very good at the saxophone, so horses it was.
この記事は Horse & Hound の April 18, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
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この記事は Horse & Hound の April 18, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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