ELIZABETH GABRIELLE LEE
“I’m interested in the notion of slow violence,” says Elizabeth Gabrielle Lee. The term, which was originally used to describe violence on the climate, has been borrowed by the 26-year-old to apply to postcolonialism and how it influences the spaces we live in. Space is an especially important part of this equation – Lee, a Singaporean, lives and works in London.
Her most recent and ongoing work, We’ve Got The Sun Under Our Skin, is a photographic series that inverts the colonial gaze. It’s based on colonial literature about Malaya from the 1800s by British ethnologists and anthropologists who were recording the region’s people, flora and fauna. “The language is alarming. Landscapes, women and people were fetishised,” Lee says of the texts she found.
She proceeded to tear pages from these source texts, scrawled out portions of it – leaving in relevant passages – then set to work lensing these subjects in her own way. “In a primal sense, it felt like I was trying to reclaim these landscapes and people,” she says.
この記事は Female Singapore の November 2020 版に掲載されています。
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この記事は Female Singapore の November 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、8,500 以上の雑誌や新聞にアクセスしてください。
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