A few years ago, Anne Hathaway was winning an Oscar and fending off Internet mean girls. Now she’s winning at familial bliss and, in her new film, Colossal, warring with a Seoul-crushing monster. The more things change.... By Lauren Waterman
Sure, blondes might have more fun. But it’s an indisputable fact that brunettes, even the most recognizable among them, have an easier time blending in. Take Anne Hathaway: Dressed in black pants, a black sweater, and a black coat, hiding her distinctive oversize eyes behind a pair of significantly less distinctive oversize sunglasses, she’s able to make her way through a packed Tribeca restaurant without turning a single head.
Of course, the illusion of anonymity only lasts so long. Once the actress, 34, takes a seat in the corner and starts shedding her layers, the surreptitious glances begin. Features like hers—the beguiling eyes, the strong brows, the mouth both wide and full-lipped—tend to attract attention. But, as glamorous as she can be, that’s not her vibe today. Instead, makeup-free, she seems downright delicate—not fragile, exactly, but fine-boned, lovely, even wholesome.
In fact, there’s only one ostentatious, starry thing about her: her long, fake, French-manicured fingernails, which she soon explains are for her role as an actress in the rapturously awaited, female-led Ocean’s Eleven spin-off, Ocean’s Eight. “Everyone says they don’t look like me,” she says. “Yesterday, at the [ELLE] shoot, my makeup artist told me it looks like alien hands have been photo shopped onto my body.”
She’s a bit tired, she says, the combined result of circumstances both professional (she’s filming at night) and personal (she has a son, Jonathan, who was born last March). But when I remind her that I’ve interviewed her twice before, she claps. “Oh, this is going to be fun,” she says, “to meet ourselves again and see how we have changed.”
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MUSIC for This MOMENT
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