कोशिश गोल्ड - मुक्त
THE PERFORMANCE ISSUE
Harper's BAZAAR - US
|August 2022
A great PERFORMANCE can be TRANSFORMATIVE; the greatest are TRANSCENDENT. But they are often also EXPRESSIONS of something DEEPER: an intense PASSION, a dedicated PRACTICE, an inner STRENGTH, a SENSE of SELF and SPACE. They can MOVE us, INSPIRE us, CHALLENGE us, and fill us with ANGER or JOY. This issue explores the POWER of PERFORMANCE from all those vantage points, as a beacon of CONSCIOUSNESS and CONNECTEDNESS in an age of UNCERTAINTY, of shared BEAUTY, HUMOR, HUMANITY, and GRACE.
Tessa Thompson cherishes a slow burn. "I know that a lot of my contemporaries don't agree with me, but I think being under lauded in your time sometimes is not a bad thing," she tells me. We're awaiting brunch in New York City at a favorite spot in SoHo, and here the actor, who stars this summer in the highly anticipated latest installments of two major franchises-Thor: Love and Thunder, from Marvel Studios, and HBO's Westworld, back for a fourth season-is only just ambiently referring to herself.
It is a Tuesday in early May and we're seated outdoors, graced by the kind of weather embraced by only the genuinely citified, with stark patches of shade too chilly for too-confident notions of springtime attire. But the sun feels delicious.
Thompson loves New York. She spent her childhood going back and forth between Fort Greene, Brooklyn, and her birthplace of Los Angeles. She comes back to the city often. "It suits my personality better than the isolation of Los Angeles," she says. "There's that kind of serendipity" about New York: You might run into a friend or catch a show. (Thompson, a professed "Pamela Anderson enthusiast," recently saw Chicago, with Anderson in the role of Roxie, as well as Michael R. Jackson's Pulitzer Prize- and Tony Award-winning A Strange Loop, which she calls "undeniably fantastic"; she also has plans to see the Deana Lawson show at MoMA PS1 with a friend, the musician Dev Hynes.)
Or you might clock the doppelgänger of a minor internet sensation from back when. "That guy looks so much like..." Thompson's eyes scan the restaurant, tracking left to right over my shoulder. "Remember Prison Bae? He looks a lot like him."
"Well, I think he has a modeling contract. Who knows?"
"Too bad we're not scouts."
यह कहानी Harper's BAZAAR - US के August 2022 संस्करण से ली गई है।
हजारों चुनिंदा प्रीमियम कहानियों और 10,000 से अधिक पत्रिकाओं और समाचार पत्रों तक पहुंचने के लिए मैगज़्टर गोल्ड की सदस्यता लें।
क्या आप पहले से ही ग्राहक हैं? साइन इन करें
Harper's BAZAAR - US से और कहानियाँ
Harper's BAZAAR - US
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Harper's BAZAAR - US
On PERFORMANCE
I met Cynthia Erivo over 10 years ago, when she first moved from London to New York and ended up becoming my neighbor. I always knew she would go on to do amazing things, and I can think of no one more fitting to celebrate on the cover of our Performance issue, as audiences gear up to take her in as Elphaba once more in Wicked: For Good. I have always been struck by the way Erivo can come off as both delicate and larger than life—or, as Jazmine Hughes writes in her cover story, “able to put both her strength and her softness on display.” This manifests in the photos too, shot by Cass Bird and styled by Yashua Simmons, portraying a performer at the peak of her powers, glamorous and self-assured and vulnerable all at once.
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Harper's BAZAAR - US
Holding THE STAGE
DEREK C. BLASBERG talks to comedian and writer JULIO TORRES and playwright JORDAN TANNAHILL about the POWER of WORDS, how PERFORMANCE can be an act of DEFIANCE, and the importance of telling QUEER stories in REPRESSIVE (and REGRESSIVE) times
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Harper's BAZAAR - US
LIGHT Show
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Harper's BAZAAR - US
WHY DON'T YOU...?
As we celebrate the POWER of PERFORMANCE this month, LYNETTE NYLANDER implores you to CHANNEL the GREAT DIVAS, past and present, in your daily ROUTINE. As SHAKESPEARE wrote, all the WORLD'S a STAGE!
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Harper's BAZAAR - US
Who Gets to Be PREPPY?
The style once RESERVED for the PRIVILEGED few is now UBIQUITOUS, open to broad INTERPRETATION, and ACCESSIBLE to ALL
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Harper's BAZAAR - US
CYNTHIA ERIVO Is Unstoppable
CYNTHIA ERIVO has always been a ONCE-IN-ALIFETIME PERFORMER with a VOICE for the AGES. Now, she's a STAR for them too.
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Harper's BAZAAR - US
Leaps & BOUNDS
MISTY COPELAND transformed the DANCE WORLD during her 25 years with the American Ballet Theatre. Now she's RETIRING from the only company she's ever known-but she's still RAISING the BAR.
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Harper's BAZAAR - US
DWANA SMALLWOOD, NOVEMBER 2000
“A GREAT DANCER uses movement as a poet uses words. The grandest and slightest gestures—a head thrown back, a leg held high—illuminate the spirit and the heart.” That was how writer Elizabeth Kaye described the art of dance in an essay that accompanied a portfolio titled “Fast Company” in the November 2000 issue of Harper’s Bazaar. Photographed by Patrick Demarchelier, the story showcased six performers who were making their mark on the dance world at the turn of the 21st century—among them, Alvin Ailey American Dance Theater principal Dwana Smallwood.
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Harper's BAZAAR - US
SHABOOZEY
Introducing This Issue's MUSIC DIRECTOR
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