Essayer OR - Gratuit
He's chronicling Sabrina Carpenter's every move
Los Angeles Times
|November 19, 2025
The singer's personal photographer Alfredo Flores takes pride in finding fresh angles.
ALFREDO Flores in the pop artist's photo pit.
Alfredo Flores is always moving, but you wouldn't know it from the precise stills he takes of Sabrina Carpenter emerging onstage, her cheekiness and sparkly go-go boots shining through his images.
The portfolio of 36-year-old Flores, Carpenter's tour photographer, is already familiar to most. Those photos of Carpenter posed with the tour stop’s city labeled on a mug and sealed with a kiss — that’s Flores’ work.
He has captured Carpenter’s rise from her “Emails I Can’t Send” era to the dazzlingly successful Short n’ Sweet tour, the work from which earned Flores the iHeart Radio Award for favorite tour photographer and put him back on the road this week for an additional North American leg, including her six-night run at Crypto.com Arena, which began Sunday.
But Carpenter's towel reveals, set changes and winks won't look exactly the same.
“Creatively, I just try my best to figure out different ways to shoot the same show,” said Flores, fresh off Video Music Awards’ adrenaline and the release buzz of Carpenter’s latest album, “Man's Best Friend.”
He constantly alters angles and lenses, including long, short and fish-eye, all with his Canon — the camera brand he’s been loyal to his entire career. However, that doesn’t make his first forays into photography any less impactful.
Flores’ trajectory as a live music photographer is informed by the era he grew up in, one of disposable cameras, 24-hour photo labs, VHS camcorders, photo books full of family vacation pictures and the visionaries behind the hits that made us press the replay button on CD players.
He recalls his path was charted before him one afternoon in his native Belleview, N.J., on a sick day home from school in the form of the VH1 show “Pop-Up Video,” which featured music videos accompanied by trivia-filled text bubbles.
Cette histoire est tirée de l'édition November 19, 2025 de Los Angeles Times.
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