ON TELEVISION :NAKED AMBITION
The New Yorker|December 19, 2022
"Welcome to Chippendales," on Hulu.
INKOO KANG
ON TELEVISION :NAKED AMBITION

On the inaugural night of the Chippendales club, the audience's disbelief at the sight of a half-dozen men dancing and disrobing quickly melts into delight. The financially struggling owner, Somen (Steve) Banerjee (Kumail Nanjiani), has named his Los Angeles establishment for an eighteenth-century cabinetmaker whose rococo designs, Steve claims, adorned the residence of the viceroy of India. The venture may well be the earliest of its kind: a mainstream venue for striptease, by men, for women. The visual appeal of the amateur gyrators, who swan about on a sunken stage in the center of the room, to the Village People's "Macho Man," is questionable: they sport muscles and skimpy black underwear, but also mullets and long, greasy curls. Their looks may not matter much anyway; the hooting women are thrilled just to play the part of men for a night. But, for some, a real show needs more than role reversal. "Talk about a flaming pile of trash," the choreographer Nick De Noia (Murray Bartlett) says at a later performance, when Steve asks him to leave. (Male patrons are not allowed.) In less than a decade, the two men, working in tandem, turn Steve's frantic experiment into a national sensation, and lock themselves in a rivalry so radioactive it cannot but end in mutual destruction.

Esta historia es de la edición December 19, 2022 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.

Esta historia es de la edición December 19, 2022 de The New Yorker.

Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.