When King Charles III was a young prince, in the early nineteen-fifties, he sometimes propelled a ride-on toy around Windsor Castle, one of several royal residences where he spent his childhood. Pedalling furiously, he hardly registered the spectacular works from the Royal Collection on the walls. “It’s just a background,” Charles later recalled. His attention was arrested, however, by one unusual portrait: of King Charles I, displayed in the Queen’s Ballroom. The sensitive and reflective prince, who was born in 1948 and who by the age of seven was being tutored by a governess in the history of the nation—and of his historic family—was fascinated by the painting. “King Charles lived for me in that room in the castle,” he later said.
Titled “Charles I in Three Positions,” and painted in the sixteen-thirties by Van Dyck, the work offers three representations of the elegant monarch: in profile, facing forward, and in three-quarter view. With his long, flowing hair cut fashionably shorter on one side, he is depicted wearing three distinct robes and three ornate lace collars, and he is accessorized with the blue sash of the Order of the Garter, Britain’s oldest chivalric order. The painting was made about a decade after Charles’s accession, in 1625, and was used as a blueprint for a marble bust by Bernini. Charles I— who was devout, reserved, and convinced of his right to absolute power as the head of the Stuart dynasty—was a great patron of the arts. Among other extravagant commissions, he asked Rubens to decorate the ceiling of the grand Banqueting House, in London’s Palace of Whitehall, with canvases illustrating heavenly approval of James I, his father.
Esta historia es de la edición May 08, 2023 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición May 08, 2023 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor? Conectar
TRIPLE FAULT
A meal is never just a meal in a Luca Guadagnino movie; each bite is a prelude to a kiss, every feast a form of foreplay.
NIGHT MUSIC
“Stereophonic” and Cabaret at the Kit Kat Club” on Broadway.
LITTLE OLD HER
Is Taylor Swift doing too much?
BEASTLY MATTERS
Where the logic behind the concern for animal welfare begins and ends.
PULSE
He footed off his shoes, the logs balanced on an arm, and tugged the door shut.
TOWER IN FLAMES
What kind of right is academic freedom?
THE BATTLE FOR ATTENTION
How do we hold on to what matters in a distracted age?
ON NATIVE GROUNDS
Deb Haaland faces the cruel history of the agency she now leads.
DESIGN FOR LIVING
Can converting office towers into apartments save empty downtowns from ruin?
HOROSCOPES WRITTEN BY MY MOTHER
Your zodiac alignment this month is governed by Venus, the planet of intuition, something my daughter Bess seems to lack.