For a while, in the late For two-thousands, it was extremely fun to dunk on Vampire Weekend. Formed at Columbia University in 2006, the band made perky, bleating indie rock about Cape Cod, mansard roofs, and Oxford commas. The singer and guitarist Ezra Koenig wore khakis and sometimes loosely knotted a sweater around his shoulders, a look that everyone knows is the unofficial uniform of rich, scummy boyfriends in high-school movies. The band's vibe was preppy but lightly debauched, somewhere between "Dead Poets Society" and "Less Than Zero." Vampire Weekend felt slightly out of step with the arch, fuzzy, forward-thinking indie rock of the time. Its music was polished and sunny, a little cocky, with melodic sensibilities indebted to the dynamic, sensitive songs and songwriters of the seventies and eighties: the Beat's "Save It for Later," Paul Simon's "Under African Skies," Harry Nilsson's "Gotta Get Up." "
The band's second album, "Contra, released in 2010, débuted at No. 1 on the Billboard 200. The songs were idiosyncratic but had shockingly broad appeal. That winter, the single "Holiday," a reggae-inflected rock track that, for better or worse, could have been airlifted from a third-wave ska compilation, appeared in two major television commercials at the same time. More albums followed-"Modern Vampires of the City," in 2013, and "Father of the Bride," in 2019.
Esta historia es de la edición April 08, 2024 de The New Yorker.
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Esta historia es de la edición April 08, 2024 de The New Yorker.
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STUNTED
\"The Fall Guy.\"
MOTHERS OF US ALL
Paula Vogel's \"Mother Play,\" Shaina Taub's \"Suffs,\" and Amy Herzog's \"Mary Jane.\"
PURE PLEASURE
The \"Radical Optimism\" of Dua Lipa.
PARADISE LOST
The search for a home that never was in Claire Messud's new novel.
ORIGIN STORY
What do we hope to learn from our prehistory?
DEATH IN VENICE
At the Biennale, the past dignifies the weird, desperate present.
WE'RE NOT SO DIFFERENT, YOU AND I
\"You'll never get away with this!\" Ultra Man vowed as he wriggled in his chains. \"You may destroy me, but you'll never destroy what I stand for!\"
STONES OF CONTENTION
The British Museum faces accusations of cultural theft-and actual theft.
A CAMPUS IN CRISIS
Dissent and defiance at Columbia's pro-Palestine protests.
ARROW RETRIEVER
I am an arrow retriever. After a batrows are costly and time-consuming to make. It seems like a terrible waste-and maybe even a sin―for an arrow to fall to the ground without hitting someone. Even if the arrow kills somebody, it can be reused to kill someone else. As Randolf the Scot famously said, \"Arrows don't grow on trees.\"