About a decade ago, a friend of mine and her husband moved from Brooklyn to Los Angeles. After landing at LAX, they went straight to Gjelina, a restaurant in Venice that exemplifies a certain image of life in Southern California: seasonal, sensual, wood-fired cooking; a sun-dappled patio near the beach. “We had this long, exquisite lunch,” she recalled recently. “And just as we were getting ready to pay the bill, feeling like ‘Wow, we’re Californians now!,’ something dropped out of the sky and landed in the middle of the table.” A passion fruit had fallen from one of the vines overhead, and as they sat there staring at it in delight a waiter appeared. “Wordlessly,” she said, “he cut the fruit into two hemispheres and handed each of us a tiny dessert spoon.”
The story sounds like it was plucked out of a tourism campaign, or the depths of my subconscious. I first tried fresh passion fruit fifteen years ago, in Brazil, and in the years since it has captured my appetite and my imagination in equal measure. A passion fruit is as enclosed and mysterious as a hen’s egg, though a common commercial variety called Frederick’s looks like it was laid by a dragon: when it falls off the vine, its exterior is smooth, firm, and slightly speckled, the deep purple color of wine-stained lips. The shell is stiff and leathery, requiring a bit of sawing to open. What’s inside seems almost not meant to be seen: a geometrical, otherworldly cluster of small black seeds (edible, delicate, and pleasingly crunchy), each suspended in an orb of glossy, sunset-colored pulp, surrounded by fragrant juice of the same golden hue, as obscenely slurpable as an oyster. I find the flavor, perhaps my single favorite, intoxicating. It’s citrus-adjacent, but more complex: sweet, bright, savory, sour, and even a touch sulfuric. My husband, who loves it less than I do, has likened it to body odor.
Esta historia es de la edición January 15, 2024 de The New Yorker.
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Esta historia es de la edición January 15, 2024 de The New Yorker.
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