Kader Attia’s breakthrough work, Ghost (2007), began as a cast of his mother. Childhood memories of seeing her in prayer prompted the artist to wrap her in layers of aluminium foil as she knelt. He then repeated the process until he had a crowd of 40 figures, arranged neatly in a grid. Viewers approach the figures from behind, mimicking the perspective from which Attia would have encountered the long, narrow spaces that often served as mosques in the Paris of his childhood. Only when they reach the other end of the installation do they realise that the figures’ burka-like hoods each conceal not a face, but rather a haunting void.
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Esta historia es de la edición May 2021 de Wallpaper.
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A Kind of Magic
Demna's breathtaking couture collection takes centre stage at Balenciaga's newly renovated couture salons in Paris
Building Site
Sun Tower, China, by Open Architecture
Circular Approach
Repurpose clothing initiative, by Oliver Spencer
CITY
Seoul's unique mix of culture, art and style goes global, thanks to an unstoppable new wave of dynamic creatives
RESTORATION KINGS
Laplace for Hauser & Wirth Paris
CARDBOARD CUTOUTS
'Box' furniture, by Max Lamb, for Gallery Fumi
URBAN BOLTHOLE
Pacaembu House, Brazil, by Arthur Casas
SURREALIST DREAMS
Weird and wonderful works to wake up to
CROWNING GLORY
15-step scalp treatment, by Eco Jardin by Park Jun
WEARABLE ART
Jewellery collection, by Lynda Benglis, for Loewe