Having proclaimed himself an Artist with a capital A, Worth set in motion a course of action that would launch the glamorous myth of the couturier-creator, ahead of his time. It would be Worth who dictated the spirit of the times and future trends, but most of all, he conceived the entire DNA of the profession of couturier-as-superstar. One thing led to another, and he invented the concept of the designer label, which he would refine during the rest of his career.
In the space of barely a decade, a formidable momentum was well underway. In 1868, the Chambre Syndicale de la confection et de la couture pour dames et fillettes was created, centered on two sectors with contradictory goals and methods: Haute Couture and industrial ready-to-wear clothing. The former offered original creations, launched trends, and engaged in constantly renewed innovation, like art, rising and falling by fits and starts. Producers of ready-made clothing were content to follow, reproducing couture creations on a mass scale. Nevertheless, the two formed a coherent whole, since both were part of an industrial system based on purchases by customers.
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FLOWER OF THE FLOCK
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