THE TOP 15 ALT & Indie PLAYERS

The most influential guitarist of his generation on his evolution from The Smiths to Electronic and Modest Mouse, and why the shortest solos are the best. As told to TG’s Henry Yates

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01 JOHNNY MARR

IN HIS OWN WORDS

THE EARLY 80s

“Guitar culture had many crimes and criminals. There was some good stuff, but the art of the song had disappeared. Pop had become very manufactured. Rock was about virtuosity, and machismo was lurking everywhere, or else it was about ‘groove’, which often implies a fear of chord changes. I’ve tried to wipe out the memories of poodle-cuts, but The Smiths was definitely a reaction.”

TO SOLO OR NOT TO SOLO

“When people talk about a ‘guitar solo’, they’re generally talking about a pentatonic break in classic rock, and it does imply a certain thoughtlessness and showboating. But actually, when I think about it, it can be an opportunity to do something beautiful, interesting or violent. There are plenty of guitar breaks that I absolutely love, like I Can’t Explain [The Who], or The Last Time by The Rolling Stones. They’re interesting because they’re little 10-second bursts of pop art, and when I have done solos that’s been my approach.”

LAYERING

“One of the most insanely layered (Smiths songs) was Hand In Glove, which I think had 16 guitar tracks. This Charming Man has seven or eight. It’s gratifying that people are still working out those little bits and pieces that are on top, because it was worth me taking the time. These days I’m able to do it more with one part. I’m more technically proficient, I guess.”

RECYCLING

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