St Edward's Crown, named for the last Anglo-Saxon king, Edward the Confessor (William the Conqueror claimed succession from him, not Harold), and re-created by order of Charles II after the original was melted down by Oliver Cromwell. This colour photograph was taken by COUNTRY LIFE in 1937 and has been restored as part of the digitisation of the magazine's archive (www. countrylife.co.uk/digitisation)
THE hand that descends from heaven holds above the king’s head a golden circlet. Jewels stud the sturdy band, alternating egg- and lozenge shaped knuckle dusters. To the monarch’s left and right, in this 9th-century illustration of the coronation of the Frankish ruler Charles the Bald from a manuscript in Paris’s Bibliothèque Nationale, stand bishops. Their gaze does not dwell on the king himself. Instead, it is the crown that transfixes their attention. At this moment of royal transformation, the crown embodies Charles’s preeminence. Above it is a cross, which, like the crown, is golden, gleaming.
Nothing expresses earthly kingship more powerfully than a crown. As an emblem of royalty and divinely ordained authority, it was assumed in evocation of Old Testament references by Byzantine Emperors from the 4th century. Charlemagne’s coronation by the Pope in Rome on Christmas Day 800 effectively introduced it to the kingdoms of the former Western Roman Empire and English kings are regularly depicted wearing crowns from the 10th century.
Diese Geschichte stammt aus der April 26, 2023-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der April 26, 2023-Ausgabe von Country Life UK.
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A tapestry of pinks
THE garden is now entering its season of vigour and exuberance.
Bringing the past to life
An event hosted by COUNTRY LIFE at WOW!house is one of the highlights of a programme that features some of the biggest names in interior design
This isle is full of wonder
GEOLOGY? A bit like economics, the famously boring science? I confess I suffered the prejudice—agriculture and history being my thing, both of them vital in every sense— but Robert Muir-Wood’s voyage through the past 66 million years of the making of the British landscape has biblical-level drama on almost every other page. Flood, fire, ice… or, perhaps, the formation in rock, sand, mud and lava of these isles is best conceived of as fierce poetry.
Empire protest
Without meaning to issue a clarion call for independence, E. M. Forster perfectly captured the rising tensions of the British Raj. One hundred years later, Matthew Dennison revisits the masterpiece A Passage to India
Hops and dreams
A relative of marijuana, hops were a Teutonic introduction to British brewing culture and gave rise to the original working holiday
Life and sol
The sanctuary of the Balearic Islands has enchanted a multitude of creative minds, from Robert Graves to David Bowie
'Nature is nowhere as great as in its smallest creatures'
Giving himself neck ache from constantly looking upwards, John Lewis-Stempel makes the most of a sunny May day harvesting ‘tree hay’ and marvelling at the myriad wildlife including flies and earwigs–that reside on bark
'Plans are worthless, but planning is everything'
Country houses great and small were indispensable to D-Day preparations, with electricity and sanitation, well-stocked wine cellars, countesses to run the canteens and antique furniture to feed the stoves
The darling buds of May
May Morris shared her father’s passion for flowers, embroidery and Iceland, but was much more than William’s daughter. Influential both as a designer and as a teacher, she championed the rights of workers, particularly women, as Huon Mallalieu reveals
Achilles healed
Once used to comfort the lovelorn or soothe the wounds of Greek heroes, yarrow may now have a new starring role in sustainable agriculture