It ’s hot out the day I meet Jeremy Strong near his home in Brooklyn to chat about his return to the stage. “Unsettling” is how the 45-yearold Succession star describes the late October weather as we stroll along a waterfront dotted with sunbathers stretched out amid fallen autumn leaves. “Every year, it’s another ‘hottest year on record.’ How did we get here?” he muses. “That question—it’s one reason I had to do this play.”
The play Strong is referring to is An Enemy of the People by Henrik Ibsen. In a new adaption by playwright Amy Herzog opening on Broadway March 18, Strong takes on the role of Dr. Thomas Stockmann, a man who discovers an inconvenient environmental truth and is pilloried by his community for revealing it. “It ’s easier for them not to believe,” explains Strong of the villagers’ reaction to Stockmann’s scientific data. “Believing would be too disruptive— politically, economically. You don’t have to stretch to see the analogy between what Ibsen wrote in 1881 and what ’s happened vis-à-vis climate change.”
Strong hadn’t been planning to embark on a grueling 16-week Broadway run. After the final season of Succession wrapped last year, he was ready for a break—which he got, courtesy of the SAG-AFTRA strike that allowed him to spend a mellow summer at his house in the Danish countryside with his wife, Emma, and their three young daughters. But the issues raised by An Enemy of the People felt too urgent to pass up when his old friend theater director Sam Gold urged him to read the play. “I texted Sam as soon as I finished it,” recalls Strong. “I was like, Yeah, we’re doing this.”
Diese Geschichte stammt aus der March 2024-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 2024-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
A Mother's Story
In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.
Old Souls
A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.
ELIZABETH DEBICKI
The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.
If the Shoe Doesn't Fit
Forever looking for a 42 ina world of 39s.
Stuck on You
Once applied primarily to adolescent totems, stickers for wellness!are growing up.
Partial to It
Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.
With Nail and I
Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?
Not Black and White
At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.
Prep School
Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.
States of WONDER
John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.