Greta Gerwig’s “Barbie,” a spectacular fantasy from a director whose previous films were realistic, is one such splendid surprise; another is Bruno Dumont’s “Li’l Quinquin,” a flamboyant three-hour-plus feature that marked a decisive break with his earlier, more dour work. “Sasquatch Sunset,” a new movie by the independent filmmakers David and Nathan Zellner, offers the same kind of unexpected delight. This scruffy but finely nuanced drama follows an unusual group of characters: four Sasquatches—mythical beings better known singly, as Bigfoot—making their way through the forests of the Pacific Northwest in the course of a year. For the Zellners, the film’s sincere attention to the practicalities of its characters’ lives represents a major departure and a great advance. Their portrayal of the Sasquatches’ wanderings is a fictional form of cinematic anthropology, showing how the creatures cope with the elements, with the looming presence of humans, and with the deeper mysteries and energies of life—including the rising of consciousness itself.
The Zellners, who are brothers, have been working together for nearly three decades. They’ve built a career dramatizing near-absurdities, whether grim or merely eccentric, with earnest intensity.
Diese Geschichte stammt aus der April 15, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der April 15, 2024-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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STUNTED
\"The Fall Guy.\"
PURE PLEASURE
The \"Radical Optimism\" of Dua Lipa.
PARADISE LOST
The search for a home that never was in Claire Messud's new novel.
ORIGIN STORY
What do we hope to learn from our prehistory?
WE'RE NOT SO DIFFERENT, YOU AND I
\"You'll never get away with this!\" Ultra Man vowed as he wriggled in his chains. \"You may destroy me, but you'll never destroy what I stand for!\"
STONES OF CONTENTION
The British Museum faces accusations of cultural theft-and actual theft.
A CAMPUS IN CRISIS
Dissent and defiance at Columbia's pro-Palestine protests.
TRIPLE FAULT
A meal is never just a meal in a Luca Guadagnino movie; each bite is a prelude to a kiss, every feast a form of foreplay.
NIGHT MUSIC
“Stereophonic” and Cabaret at the Kit Kat Club” on Broadway.
LITTLE OLD HER
Is Taylor Swift doing too much?