My life divides, evenly enough, into three political eras. I was born in 1980, a year after Margaret Thatcher entered Downing Street with the prayer of St. Francis of Assisi on her lips: "Where there is doubt, may we bring faith. And where there is despair, may we bring hope."The Conservative-run Britain of the eighties was not harmonious. Life beyond the North London square where my family lived often seemed to be in the grip of one confrontation or another. The news was always showing police on horseback. There were strikes, protests, the I.R.A., and George Michael on the radio. My father, who was a lawyer in the City, travelled to Germany to buy a Mercedes and drove it back, elated. Until Thatcher resigned, when I was ten, her steeply back-combed hair and deep, impossible voice played an outsized role in my imagination-a more interesting, more dangerous version of the Queen.
I was nearly seventeen when the Tories finally lost power, to Tony Blair and "New Labour," an updated, market-friendly version of the Party. Before he moved to Downing Street, Blair lived in Islington, the gentrifying borough I was from. Boris Johnson, an amusing rightwing columnist, who was getting his start on television, also lived nearby. Our local Member of Parliament was an out-of-touch leftist named Jeremy Corbyn.
New Labour believed in the responsibility of the state to look after its citizens, and in capitalism to make them prosper. Blair was convincing, even when he was wrong. He won three general elections in ten years and walked out of the House of Commons to a standing ovation, undefeated in his eyes. I was turning thirty when Labour eventually ran out of road, undone by the Iraq War, the global financial crisis, and the grim temper of Gordon Brown, Blair's successor. He was caught in a hot-mike moment describing an ordinary voter,
Diese Geschichte stammt aus der April 01, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der April 01, 2024-Ausgabe von The New Yorker.
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STUNTED
\"The Fall Guy.\"
MOTHERS OF US ALL
Paula Vogel's \"Mother Play,\" Shaina Taub's \"Suffs,\" and Amy Herzog's \"Mary Jane.\"
PURE PLEASURE
The \"Radical Optimism\" of Dua Lipa.
PARADISE LOST
The search for a home that never was in Claire Messud's new novel.
ORIGIN STORY
What do we hope to learn from our prehistory?
DEATH IN VENICE
At the Biennale, the past dignifies the weird, desperate present.
WE'RE NOT SO DIFFERENT, YOU AND I
\"You'll never get away with this!\" Ultra Man vowed as he wriggled in his chains. \"You may destroy me, but you'll never destroy what I stand for!\"
STONES OF CONTENTION
The British Museum faces accusations of cultural theft-and actual theft.
A CAMPUS IN CRISIS
Dissent and defiance at Columbia's pro-Palestine protests.
ARROW RETRIEVER
I am an arrow retriever. After a batrows are costly and time-consuming to make. It seems like a terrible waste-and maybe even a sin―for an arrow to fall to the ground without hitting someone. Even if the arrow kills somebody, it can be reused to kill someone else. As Randolf the Scot famously said, \"Arrows don't grow on trees.\"