REORIENTING "BUTTERFLY"
The New Yorker|October 30, 2023
At Detroit Opera, a new production subverts Puccini’ depiction of Japan.
ALEX ROSS
REORIENTING "BUTTERFLY"

When Japanese audiences encountered Puccini’s “Madama Butterfly”—a sumptuous Italianate treatment of a geisha’s doomed love for an American naval officer—they found it implausible, insulting, and riotously funny. In 1925, two decades after the opera’s première, the Japan Times reported “screams of hearty laughter” as spectators took in the posturings of a touring foreign troupe. Puccini’s habit of citing popular Japanese songs did not help matters. As Arthur Groos points out in “Madama Butterfly/ Madamu Batafurai,” a new book about the opera’s Japanese sources and reception, the composer ignored advice about how to use his material appropriately. When Suzuki, Butterfly’s maid, prays at an alleged Buddhist shrine, she sings to the tune of “Takai Yama,” a song that extols cucumbers and eggplants. Furthermore, she garbles the names of Shinto gods, who don’t belong in a Buddhist setting to begin with. It’s similar, Groos writes, to “having a Catholic pray to Adam and Eve in front of a menorah.”

Diese Geschichte stammt aus der October 30, 2023-Ausgabe von The New Yorker.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der October 30, 2023-Ausgabe von The New Yorker.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS THE NEW YORKERAlle anzeigen
INSIDE JOB-"Hit Man"
The New Yorker

INSIDE JOB-"Hit Man"

Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.

time-read
6 Minuten  |
June 10, 2024
WHATEVER YOU SAY
The New Yorker

WHATEVER YOU SAY

Rereading Jenny Holzer, at the Guggenheim.

time-read
6 Minuten  |
June 10, 2024
SUBCONSCIOUSLY YOURS
The New Yorker

SUBCONSCIOUSLY YOURS

Does every generation get the Freud it deserves?

time-read
9 Minuten  |
June 10, 2024
BY A WHISKER
The New Yorker

BY A WHISKER

Louis Wain and the reinvention of the cat.

time-read
10+ Minuten  |
June 10, 2024
Beyond Imagining
The New Yorker

Beyond Imagining

Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.

time-read
10+ Minuten  |
June 10, 2024
STATES OF PLAY
The New Yorker

STATES OF PLAY

Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?

time-read
10+ Minuten  |
June 10, 2024
THE LONG RIDE
The New Yorker

THE LONG RIDE

The surf legend Jock Sutherland's unlikely life.

time-read
10+ Minuten  |
June 10, 2024
ARE WE DOOMED?
The New Yorker

ARE WE DOOMED?

A course at the University of Chicago thinks it through.

time-read
10+ Minuten  |
June 10, 2024
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
The New Yorker

GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME

Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!

time-read
3 Minuten  |
June 10, 2024
RED LINE
The New Yorker

RED LINE

With the election approaching, the U.S. and Mexico wrangle over border policy.

time-read
10+ Minuten  |
June 10, 2024