GEORGIA ON OUR MIND
The New Yorker|March 27, 2023
The musical "Parade" revisits the charged trial of Leo Frank.
HELEN SHAW
GEORGIA ON OUR MIND

How well do modern theatregoers seeing “Parade,” at the Bernard B. Jacobs, know the story of Leo Frank? It’s been more than a century since Frank, the Jewish superintendent of an Atlanta pencil factory, was accused of the sexual assault and murder of thirteen-year-old Mary Phagan, railroaded into a guilty verdict, tantalized with the possibility of an appeal, then kidnapped from prison and lynched in Marietta, Georgia. At the time, the overt display of Southern antisemitism—crowds outside the courthouse where he was tried screamed “Hang the Jew!”—shocked the country. Some rose up against it: Frank’s ordeal spurred the formation of the Anti-Defamation League, for example. But it also helped fuel the revival of the Ku Klux Klan. Some of the men who burned a cross on Stone Mountain in 1915 were the so-called Knights of Mary Phagan, who had been in Marietta only a few months earlier, under an oak tree.

Diese Geschichte stammt aus der March 27, 2023-Ausgabe von The New Yorker.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der March 27, 2023-Ausgabe von The New Yorker.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS THE NEW YORKERAlle anzeigen
INSIDE JOB-"Hit Man"
The New Yorker

INSIDE JOB-"Hit Man"

Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.

time-read
6 Minuten  |
June 10, 2024
WHATEVER YOU SAY
The New Yorker

WHATEVER YOU SAY

Rereading Jenny Holzer, at the Guggenheim.

time-read
6 Minuten  |
June 10, 2024
SUBCONSCIOUSLY YOURS
The New Yorker

SUBCONSCIOUSLY YOURS

Does every generation get the Freud it deserves?

time-read
9 Minuten  |
June 10, 2024
BY A WHISKER
The New Yorker

BY A WHISKER

Louis Wain and the reinvention of the cat.

time-read
10+ Minuten  |
June 10, 2024
Beyond Imagining
The New Yorker

Beyond Imagining

Bessie, Lotte, Ruth, Farah, and Bridget, who had been lunching together for half a century, joined in later years by Ilka, Hope, and, occasionally, Lucinella, had agreed without the need for discussion that they were not going to pass, pass away, and under no circumstances on.

time-read
10+ Minuten  |
June 10, 2024
STATES OF PLAY
The New Yorker

STATES OF PLAY

Can advocates use state supreme courts to preserve-and perhaps expand-constitutional rights?

time-read
10+ Minuten  |
June 10, 2024
THE LONG RIDE
The New Yorker

THE LONG RIDE

The surf legend Jock Sutherland's unlikely life.

time-read
10+ Minuten  |
June 10, 2024
ARE WE DOOMED?
The New Yorker

ARE WE DOOMED?

A course at the University of Chicago thinks it through.

time-read
10+ Minuten  |
June 10, 2024
GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME
The New Yorker

GOD EXPLAINS THE RULES OF HIS NEW BOARD GAME

Guys, want to play this new board game? It’s called Life. No, it’s not “one of God’s impossible-to-understand games that take three hours to learn.” It’ll be fun, I promise!

time-read
3 Minuten  |
June 10, 2024
RED LINE
The New Yorker

RED LINE

With the election approaching, the U.S. and Mexico wrangle over border policy.

time-read
10+ Minuten  |
June 10, 2024