Willow and her mother moved out of Tennessee to find gender affirming care.
On the last morning of July, Kristen Chapman was getting ready to leave Nashville. Chapman, who is in her early fifties and wears her silver hair short, sat on a camp chair next to a fire pit outside the rental duplex where her family had lived for twelve years. She was smoking an American Spirit and swatting at the mosquitoes that kept emerging from the dense green brush behind her. Her husband, Paul, who was wearing a T-shirt with the Guinness logo, carried boxes out to the front lawn. Their daughters, Saoirse and Willow, who were seventeen and fifteen, were inside, still asleep. Chapman looked down at the family’s beagle mix, Obi-Wan Kenobi, who was drinking rainwater out of a plastic bucket. “We got him when we moved in here for the kids,” she said. “He’s never lived anywhere else.”
Paul was planning to stay in town; Chapman was heading to Richmond, Virginia, with Saoirse and Willow. Chap-man and Paul’s marriage was ending, but the decision to split their family apart had happened abruptly. Willow is trans, and had been on puberty blockers since 2021. In March, Tennessee’s governor, Bill Lee, had signed a bill that banned gender-transition treatment for minors across the state.
Diese Geschichte stammt aus der October 16, 2023-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der October 16, 2023-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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INSIDE JOB-"Hit Man"
Years before Hannah Arendt coined, in the pages of this magazine, the phrase \"the banality of evil,\" popular films and fiction were embodying that idea in the character of the hit man. In classic crime movies such as \"This Gun for Hire\" (1942) and \"Murder by Contract\" (1958), hit men figure much as Nazis do in political movies, as symbols of abstract evil.
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Louis Wain and the reinvention of the cat.
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RED LINE
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