MIGHTY FALL
THE WEEK|May 08, 2022
With the Sinhalas turning against the Rajapaksa family, Gotabaya becomes the most unpopular president in the history of Sri Lanka
LAKSHMI SUBRAMANIAN
MIGHTY FALL

THE ROAD LEADING to the Amma Maniyo temple from the grand Ruwanweli Maha Seya stupa in Anuradhapura, built by the legendary Sinhala king Dutugamunu, is mostly quiet these days. Anuradhapura, the ancient Buddhist capital of the island nation, holds special significance for President Gotabaya Rajapaksa. After the landslide win in the 2019 polls, Gotabaya took oath as president at the stupa, in the presence of Buddhist clergy from across the country. His address to the nation was laced with references to a militarised vision for Sri Lanka’s future, rooted firmly in the Sinhala Buddhist ideology. He made it clear to all that he was voted to power by the Sinhalas.

Three years later, as Sri Lanka totters down the path of economic collapse, the Sinhalas seem to have abandoned Gotabaya. Historically, protests against the Rajapaksas, especially Gotabaya and his elder brother, Prime Minister Mahinda Rajpaksa, were spearheaded by the country’s Tamil and Muslim minorities. But this time, a majority of the Sinhalas, too, have turned against the government. Not even Gotabaya’s trusted soothsayer, Gnana Akka, who advises him on key issues, including the Covid-19 lockdowns, could predict such a rapid reversal of fortunes. There are hardly any visitors at the Maniyo temple and the Ruwanweli stupa these days, thanks to the economic crisis caused by Gotabaya’s harebrained policies.

Diese Geschichte stammt aus der May 08, 2022-Ausgabe von THE WEEK.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der May 08, 2022-Ausgabe von THE WEEK.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS THE WEEKAlle anzeigen
Divides And Dividends
THE WEEK India

Divides And Dividends

Contrasting narratives on the scrapping of Article 370 define the elections in Jammu and Kashmir

time-read
4 Minuten  |
May 19, 2024
Playing it cool
THE WEEK India

Playing it cool

Everybody knows what 420 means in the Indian context. But in American parlance it is something very different: four-twenty or 4/20 or April 20 denotes cannabis celebration; its cultural references are rooted in the hippie culture of the 1960s and 1970s.

time-read
2 Minuten  |
May 19, 2024
The heroine's new clothes
THE WEEK India

The heroine's new clothes

Who else but Sanjay Leela Bhansali could bring on a wardrobe reset like the one in his just-dropped period piece—an eight-part Netflix series called Heeramandi?

time-read
2 Minuten  |
May 19, 2024
AI & I
THE WEEK India

AI & I

Through her book Code Dependent—shortlisted for the Women’s Prize for Non-Fiction—Madhumita Murgia gives voice to the voiceless multitudes impacted by artificial intelligence

time-read
4 Minuten  |
May 19, 2024
Untold tales from war
THE WEEK India

Untold tales from war

Camouflaged is a collection of 10 deeply researched stories, ranging from the world wars to the 26/11 terror attacks

time-read
2 Minuten  |
May 19, 2024
Hair force
THE WEEK India

Hair force

Sheetal Mallar, in her photobook Braided, uses hair as a metaphor to tell a story that is personal yet universal

time-read
2 Minuten  |
May 19, 2024
THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES
THE WEEK India

THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES

The first time Adarsh Gourav made an impression was in Ramin Bahrani's 2021 film The White Tiger, a gripping adaptation of Aravind Adiga's Booker-winning novel.

time-read
4 Minuten  |
May 19, 2024
The art of political protest
THE WEEK India

The art of political protest

The past doesn’t always remain in the past. Sometimes, it emerges in the present, reminding us about the universality and repetitiveness of the human experience. Berlin’s George Grosz Museum, a tiny gem, is a startling reminder that modern political and social ills are not modern. Grosz lived through World Wars I and II, shining a torch into the heart of darkness in high-ranking men and women—who were complicit in the collapse of the world as they knew it.

time-read
2 Minuten  |
May 19, 2024
REFUELLING DYING SATELLITES
THE WEEK India

REFUELLING DYING SATELLITES

A Chennai company is making waves in the world of space tech startups

time-read
6 Minuten  |
May 19, 2024
DIVERSITY IN UNITY
THE WEEK India

DIVERSITY IN UNITY

THE SOUTH ASIAN COMMUNITY IN THE US HAS SEVERAL THINGS IN COMMON, BUT WHEN IT COMES TO THE UPCOMING ELECTIONS, THERE ARE WIDELY DIFFERING OPINIONS AND FEELINGS

time-read
5 Minuten  |
May 19, 2024