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Neal Stephens Wants to Tell Big Stories

Reason magazine

|

October 2019

An Economist and a Science Fiction Author Discuss Cryogenics, Mythology, Philanthropy, Fragmentation, and Simulation.

- Tyler Cowen

Neal Stephens Wants to Tell Big Stories

NEAL STEPHENSON IS the author of some of the most prescient and beloved science fiction of the last 30 years, including Snow Crash, The Diamond Age, Cryptonomicon, and Seveneves. His fiction deals heavily with economics, online culture, the history of philosophy, and the nature of money, with descriptions of bitcoin-like cryptocurrency systems appearing years before the technology’s real-world debut. His books frequently evince a skepticism of state power and an appreciation for decentralized technologies that will appeal to libertarians.

He’s also worked in the tech industry, serving as an early employee at Blue Origin, the private space firm founded by JeffBezos, and working with the Long Now Foundation to promote optimistic science fiction explicitly intended to inspire actual technological innovation. In 2014, he took a role as the chief futurist at Magic Leap, a pioneering augmented reality company.

Stephenson’s latest doorstopper of a novel, Fall; or, Dodge in Hell (William Morrow), is a not-quite-sequel to his 2011 book Reamde, a sprawling contemporary thriller set against the backdrop of a multiplayer online role-playing game built partially around the complexities of international currency. Fall picks up where the earlier book left off, with the story of Richard Forthrast, the game’s wealthy founder. It follows him into the virtual afterlife, telling a two-strand story set in both physical reality and a simulated environment. It’s part exploration of the legal and technological mechanics of radical life extension, part Dungeons & Dragons–style epic fantasy quest. Imagine a TED Talk on the singularity delivered jointly by Elon Musk and John Milton.

WEITERE GESCHICHTEN VON Reason magazine

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IF YOU WERE looking for a human avatar of America's unipolar moment, you couldn't do better than Michael McFaul. Picture a youthful, energetic McFaul with a newly minted Ph.D. bounding into the suddenly post-Soviet space of the early 1990s, full of bright ideas about democracy and faith in the end of history. As McFaul himself puts it, 1991 \"was a glorious moment to be a democratic, liberal, capitalist, multilateralist, and American....I was treated like a rockstar.\"

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IN THE SPRING of 1962, an 18-year-old Robert Crumb was beaned in the forehead by a solid glass ashtray. His mother, Bea, had hurled it at his father, Chuck, who ducked. Robert was bloodied and dazed, once again a silent and enraged witness to his family's chaos.”

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