THE NEW MUSEUM’S show “Grief and Grievance: Art and Mourning in America” finds terrible beauty in the pain, rage, mania, and sorrow that form the continuing psychosis of this country’s obsession with race. Featuring 37 Black artists working in the United States from 1964 to today, it plumbs the long American night of racism with an eye on the poetics of abstraction, the possibilities of monochrome, and the documentation of bare facts. Together, these 97 pieces suggest Black artists have made the most important art of our time.
It’s notable that this exhibition, with its themes of mourning and loss, was the last organized by the great Nigerian-born, Germany-based curator Okwui Enwezor, a visionary pioneer of international multiculturalism, who died of cancer in 2019 at the age of 55. Part of the big global art world that self-started in the early ’90s, Enwezor’s animating purpose as a curator seemed to be to declare a war on the apartheid within the institutional art world, which simply left artists from Africa out of exhibitions. Above all other curators of his generation, Enwezor brought contemporary African art and history to bear on the whole world, and he was unabashed about wanting power so that he could effect change. The show was incomplete at his death and has ably been brought to fruition using notes from and conversations with Enwezor by curators Naomi Beckwith and Massimiliano Gioni, artist Glenn Ligon, and independent curator-writer Mark Nash.
Diese Geschichte stammt aus der March 1-14, 2021-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 1-14, 2021-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
104 MINUTES WITH... Lord Maurice Saatchi
The British advertising executive is thoroughly enjoying the rollout for his new book, Orgasm.
HOW TO CRIMINALIZE a PROTEST
In Atlanta, the George Floyd demonstrations of four years ago are being used as evidence of illegal gang activity-and the activists of today could be next.
More Than Mad
Grief drives a fantastic installment in George Miller's series.
War of Attrition
In the Kendrick-vs.-Drake battle, no one wins.
We've Hit Peak Theater
Nobody knows how to succeed on Broadway anymore.
Small Plates, Big Checks
Why restaurant prices feel so high—and why they’re going to stay that way.
Nobody Wants to Mow the Lawn at the Beach
Breck and Georgia Eisner's Amagansett retreat gives the children a cottage of their own.
CHESS BRAT
It was the biggest cheating scandal in chess history. Now, cleared of the most serious accusations, Hans Niemann is gunning for a world title-and doubling down on his opponent-trashing, hotel-wrecking, money-flaunting ways.
MIRIAM ADELSON'S UNFINISHED BUSINESS
One of Israel's most ardent supporters, she could transform the presidential election if she gives to Trump like she did in 2020.
ON THE CAMPAIGN TRIAL
Trump is running for president while bumping into the past at a Manhattan criminal courthouse.