I AM AN INDIGENOUS MAN ON STOLEN LAND
International Gallerie|Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'
At the heart of Chevron Hassett’s practice is community orientated concerns that stem from a Mãori foundation of whanaungatanga, or kinship. It inspires his creative direction to explore his childhood, his ancestry, cultural and social identity, and the urban Mãori experience. Hassett places the Mãori youth in a series of installations titled, ‘A Place TŪ Be’ [He plays with the Mãori word ‘t«’ meaning ‘situated’] in an urban, contemporary landscape, to provoke thinking of their early ancestral narratives and their current existence; to investigate ontological questions of the journey between then and now.
Chevron Hassett
I AM AN INDIGENOUS MAN ON STOLEN LAND

Since the 11th century, it were the Mãori who had rooted themselves in the Pacific island of Aotearoa New Zealand. By the 18th century, the Mãori community had an agricultural and fishing economy and were estimated at being approximately one million in population. Once the European colonisers arrived, the Mãori preferred to remain in rural regions, but as years flew and western influences grew, 80 per cent of Mãoris moved to urban areas. However, treated as an inferior race, the white settlers to be named ‘Pãkehã’ dominated the primary inhabitants with Christianity and the power of education and economy. The indigenous people suffered through the years, losing land and identity to the “superior” race.

Diese Geschichte stammt aus der Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'-Ausgabe von International Gallerie.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der Vol. 23, No. 2, 2020, 'AOTEAROA: NEW ZEALAND'-Ausgabe von International Gallerie.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS INTERNATIONAL GALLERIEAlle anzeigen
Perils Of Nuclear Energy
International Gallerie

Perils Of Nuclear Energy

Addressing negative consequences of nuclear tests for the environment and human health in the areas around these sites, pointing the finger at the Soviet and current governments, “This is Silence” highlights one of the main points that the artist seeks to stress: the absence of public discussion about critical issues.

time-read
2 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
Greta Thunberg. It Is Time To Rebel!
International Gallerie

Greta Thunberg. It Is Time To Rebel!

Student, activist and initiater of ”The Greta Effect”

time-read
3 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
THEATRE UNDER PRESSURE.
International Gallerie

THEATRE UNDER PRESSURE.

The facts [some of it] about Climate Change are out there. With a few articles and videos, anyone can know that Climate Change is serious and needs immediate attention. Yet, we continue living our lives at the cost of the planet. With so much awareness, why are we not moving towards climate action and justice? How can our collective consciousness be pricked? Can we use the theatre to tell the story of the tree that I was looking at? Can we understand climate change from the aerial view of the parrot? Can we reflect on how much plastic waste we generate every day? With these questions, we set out to explore how theatre can talk about climate change.

time-read
3 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
WHERE TIGERS ARE HAPPY!
International Gallerie

WHERE TIGERS ARE HAPPY!

Initiated by the Sanctuary Nature Foundation, ‘Kids for Tigers’ is an inspiring project that educates schoolchildren about the welfare of wild animals. Spearheading this program, is Govardhan Meena, a sensitive village boy who grew up to be a saviour of tigers, of forest land and their inhabitants. Born in 1980 to a Meena tribal family living on the outskirts of Ranthambhore, Rajasthan, the unassuming young man is a virtual Pied Piper for children learning about the environment. He works 24x7 with a single-mindedness, building bridges between people and parks. No wonder, the awards and certificates in his prized possession, are more than deserving for a man whose life is dedicated to helping village children seed bonds with nature’s wilderness.

time-read
2 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
DANCE LIKE A MAN!
International Gallerie

DANCE LIKE A MAN!

Dancer, choreographer and actor, Revanta Sarabhai, the third generation of a famed family of classical Indian dance, believes the arts have a way of reaching out to people in an entirely different way than scientific data or information does; that performance tends to have a greater emotional and empathetic impact on people’s senses rather than only their rational brain. Believing that the arts have a tremendous role to play in championing the cause of climate change [or any major challenge human beings face globally], he urges artists to harness the power of the arts to create change. With this conviction, Sarabhai shares with us his conceptual performance questioning climate change.

time-read
1 min  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
DANCE OF THE ACTION BRIGADE
International Gallerie

DANCE OF THE ACTION BRIGADE

When a dancer is concerned about climate change issues there is a strong potential to nudge the emotions of viewers in a way that can impact an audience sometimes more quickly than an entire thesis on the subject.

time-read
3 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
CELEBRATING THE WILDERNESS
International Gallerie

CELEBRATING THE WILDERNESS

“Humanity can no longer stand by in silence while our wildlife and nature are being used, abused, and exploited.

time-read
3 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
THEATRE SALUTES THE ENVIRONMENT
International Gallerie

THEATRE SALUTES THE ENVIRONMENT

Theatres evolve to reconnect us to each other and the environment

time-read
4 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
FROM TRASH TO TREASURE
International Gallerie

FROM TRASH TO TREASURE

Veena Sahajwalla is a whirlwind of ideas and energy, determined to tackle the mountain of waste, especially -waste generated by Australians every year. Recycling waste into ‘green steel’ and ‘green ceramics’ is the result of years of experimentation at UNSW [University Of New South Wales, Sydney]. Director of the UNSW Sydney SMaRT Centre and a Eureka Prize winner [considered the pinnacle of scientific achievement in ustralia], Professor Sahajwalla was also awarded the PLuS Alliance prize for innovation in 2017.

time-read
3 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'
BITTU SAHGALSEEKING SANCTUARY
International Gallerie

BITTU SAHGALSEEKING SANCTUARY

In kinship with wildlife, with nature, with the air we breathe Bittu Sahgal shares his lifetime’s camaraderie with the environment

time-read
4 Minuten  |
Vol. 24, No. 1, 2021, 'TIME TO WAKE UP! Save Our Environment Now.'