THE glazing METHOD
Artists & Illustrators|February 2022
STEPHEN COATES shows how carefully planning the wetness of your layers and applying glazes of colour can allow you to build a soft, atmospheric set of clouds in a landscape painting
STEPHEN COATES
THE glazing METHOD

Stephen's materials

• Paper Saunders Waterford 300gsm cold-pressed watercolour paper, 31x23cm

• Paints Lemon Yellow Hue, Ultramarine, Cerulean Blue Hue, Raw Sienna, Burnt Sienna, Light Red, Burnt Umber and Payne’s Gray, all Winsor & Newton Cotman watercolours

• Brushes ProArte Ron Ranson hake brushes, small and large

As an alternative to starting a painting with the sky first and then building up the landscape, it is possible to paint the mountains first and then glaze the clouds on afterwards. For this to work safely, it is essential to use a more absorbent cotton paper.

This method requires that the mountains are painted first on dry paper. Once this has dried completely, the entire area of the paper can be glazed with clean water and the sky then applied in the traditional way.

I used a small sheet of Saunders Waterford paper for this example and prepared a strong mix of Ultramarine and Burnt Sienna. I also squeezed out a small blob of Raw Sienna.

Diese Geschichte stammt aus der February 2022-Ausgabe von Artists & Illustrators.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der February 2022-Ausgabe von Artists & Illustrators.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS ARTISTS & ILLUSTRATORSAlle anzeigen
Still life IN 3 HOURS
Artists & Illustrators

Still life IN 3 HOURS

Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn

time-read
5 Minuten  |
March 2022
Movement in composition
Artists & Illustrators

Movement in composition

Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement

time-read
6 Minuten  |
March 2022
Shane Berkery
Artists & Illustrators

Shane Berkery

The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio

time-read
7 Minuten  |
March 2022
The Working Artist
Artists & Illustrators

The Working Artist

Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work

time-read
2 Minuten  |
March 2022
Washes AND GLAZES
Artists & Illustrators

Washes AND GLAZES

Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING

time-read
7 Minuten  |
March 2022
Hands
Artists & Illustrators

Hands

LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands

time-read
7 Minuten  |
March 2022
Vincent van Gogh
Artists & Illustrators

Vincent van Gogh

To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display

time-read
6 Minuten  |
March 2022
BRING THE drama
Artists & Illustrators

BRING THE drama

Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene

time-read
7 Minuten  |
March 2022
Serena Rowe
Artists & Illustrators

Serena Rowe

The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall

time-read
8 Minuten  |
March 2022
Bill Jacklin
Artists & Illustrators

Bill Jacklin

Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration

time-read
8 Minuten  |
March 2022