We Have Given Nearly 300 Transfer Of Technologies In The Last Three Years
THE WEEK|May 27, 2018

We Have Given Nearly 300 Transfer Of Technologies In The Last Three Years

R. Prasannan & Pradip R. Sagar
We Have Given Nearly 300 Transfer Of Technologies In The Last Three Years

Hailed as the father of India’s Airborne Early Warning & Control System (AEW&CS) programme—a flying radar system designed to detect aircraft—S. Christopher has been leading the DRDO from the front, for the last three years.

He took bold decisions that led to fructification of several delayed and nearly-abandoned development programmes. As he is hanging up his boots at the end of this month, Christopher spoke to THE WEEK. Edited excerpts:

DRDO had earned bouquets for its missile achievements, but brickbats for other programmes. How did you change it, despite being a non-missile man?

I am from a non-missile background, but, missile is my breadwinner. Our missile programme is indigenous. But, even there, I found that we were going abroad for just one thing called the seeker... [and] falling into the trap of joint programmes.

What is a seeker? It is a radar. It just transmits, receives and identifies [the target]. Except for guidance, a radar does all that a seeker does. So this programme should have been given long ago to LRDE [Electronics and Radar Development Establishment].... Maybe, LRDE thought it was too small a programme for them, and why should they ride piggyback on the missile programme. The missile people might not have shown interest because their core areas are propulsion and navigation, and this was secondary.

I decided to push this little thing. The problem was in testing. It had to be tested on a missile. Who would spare a missile, which costs 030 crore or more, to test a seeker? Finally, I told the users [the armed forces], ‘When you go for a weapon test of a missile, please put my seeker in it.’ Thus, we did it. Now, we have companies that can produce these seekers.

The missile programme had been a success story with the Agnis and Prithvis. But, the tail-end programmes had been languishing.

Diese Geschichte stammt aus der May 27, 2018-Ausgabe von THE WEEK.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der May 27, 2018-Ausgabe von THE WEEK.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS THE WEEKAlle anzeigen
Divides And Dividends
THE WEEK India

Divides And Dividends

Contrasting narratives on the scrapping of Article 370 define the elections in Jammu and Kashmir

time-read
4 Minuten  |
May 19, 2024
Playing it cool
THE WEEK India

Playing it cool

Everybody knows what 420 means in the Indian context. But in American parlance it is something very different: four-twenty or 4/20 or April 20 denotes cannabis celebration; its cultural references are rooted in the hippie culture of the 1960s and 1970s.

time-read
2 Minuten  |
May 19, 2024
The heroine's new clothes
THE WEEK India

The heroine's new clothes

Who else but Sanjay Leela Bhansali could bring on a wardrobe reset like the one in his just-dropped period piece—an eight-part Netflix series called Heeramandi?

time-read
2 Minuten  |
May 19, 2024
AI & I
THE WEEK India

AI & I

Through her book Code Dependent—shortlisted for the Women’s Prize for Non-Fiction—Madhumita Murgia gives voice to the voiceless multitudes impacted by artificial intelligence

time-read
4 Minuten  |
May 19, 2024
Untold tales from war
THE WEEK India

Untold tales from war

Camouflaged is a collection of 10 deeply researched stories, ranging from the world wars to the 26/11 terror attacks

time-read
2 Minuten  |
May 19, 2024
Hair force
THE WEEK India

Hair force

Sheetal Mallar, in her photobook Braided, uses hair as a metaphor to tell a story that is personal yet universal

time-read
2 Minuten  |
May 19, 2024
THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES
THE WEEK India

THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES

The first time Adarsh Gourav made an impression was in Ramin Bahrani's 2021 film The White Tiger, a gripping adaptation of Aravind Adiga's Booker-winning novel.

time-read
4 Minuten  |
May 19, 2024
The art of political protest
THE WEEK India

The art of political protest

The past doesn’t always remain in the past. Sometimes, it emerges in the present, reminding us about the universality and repetitiveness of the human experience. Berlin’s George Grosz Museum, a tiny gem, is a startling reminder that modern political and social ills are not modern. Grosz lived through World Wars I and II, shining a torch into the heart of darkness in high-ranking men and women—who were complicit in the collapse of the world as they knew it.

time-read
2 Minuten  |
May 19, 2024
REFUELLING DYING SATELLITES
THE WEEK India

REFUELLING DYING SATELLITES

A Chennai company is making waves in the world of space tech startups

time-read
6 Minuten  |
May 19, 2024
DIVERSITY IN UNITY
THE WEEK India

DIVERSITY IN UNITY

THE SOUTH ASIAN COMMUNITY IN THE US HAS SEVERAL THINGS IN COMMON, BUT WHEN IT COMES TO THE UPCOMING ELECTIONS, THERE ARE WIDELY DIFFERING OPINIONS AND FEELINGS

time-read
5 Minuten  |
May 19, 2024