Standing As One Image Credit: Verve
Standing As One Image Credit: Verve

Standing As One

The Berlin Wall, a prominent symbol of the Cold War, had divided a country, and city, for decades. After the wall fell in 1989, the German capital was left to reconcile two contrasting aesthetic and ideological identities. Rohan Hande captures architectural idiosyncrasies and coexistence in the formerly east-west districts.

Huzan Tata

First impressions

On arriving at the U-Bahn train station, the first thing I noticed was that the streets are laid out almost in a grid, and I could get around without relying on Google maps much. I could lose myself in the city and still find the way back to my hostel.

Distinctive designs

While different time periods seem to co-exist comfortably, there are certain areas where you will find only Altbau constructions (buildings built before World War II) — probably the most sought after right now — and others with only Plattenbau (mass-produced, partly pre-fabricated) buildings from the East German areas of the ’70s. Former East Berlin has more Plattenbauten than West Berlin — the socialist party had promised everyone their own residences. Since they obviously couldn’t expand beyond their limits, they built huge complexes to house as many families as possible. Modern, central areas like the borough of Mitte and the public quarter of Potsdamer Platz have sharp glass buildings and museums. Neukölln (in the southeast) is by far the best neighbourhood I’ve lived in; it gets its charm from the mix of students, middle-class families and people between the ages of 25 and 35 who want a more exciting lifestyle.

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