Questions of identity at the National Museum of the American Indian.
I don’t often cotton to museum shows that are educational in character— when I want instruction, I’ll read something—but I love, and I wish everyone would see, “Americans,” at the National Museum of the American Indian, in Washington, D.C. It is keyed to the ubiquity of Native Americans in popular culture. Spectacularly installed, in a grand hall, are hundreds of Indian-themed artifacts, from movie posters, toys, and commercial and sports-team logos to weaponry (a Tomahawk missile, on loan from the Smithsonian Air and Space Museum, intimidates overhead). “Indians Everywhere,” the display is entitled. Other sections unpack the legends of Pocahontas, the first Thanksgiving, the Trail of Tears, and the Battle of the Little Bighorn— stories that everybody knows, at least hazily. Apt photographs and entertaining videos abound. So do irresistibly-readable texts. There’s no through line. You bounce, pinball fashion, among the show’s parts, seduced into cognizance. Is it worrisome to relish aspects of a harrowing history that commonly stirs feelings of guilt, shame, anger, and fear, perhaps smeared over with sentimental treacle? Yes, and that’s a thought that “Americans” anticipates but leaves hanging—and haunting—to deal with as one can and will.
This story is from the January 29,2018 edition of The New Yorker.
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This story is from the January 29,2018 edition of The New Yorker.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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