Anya Taylor-Joy: No Rest For The Wicked
NYLON|January 2017

After her breakout role in last year’s indie sensation The Witch, Anya Taylor-Joy hasn’t stopped working, and that’s fine with her.

Simran Hans
Anya Taylor-Joy: No Rest For The Wicked

The first thing Anya Taylor-Joy wants to talk about is her dog. She brings up Kala, a big ball of black fluff, with puppyish enthusiasm herself, describing her as “the most ridiculous thing in the entire world” and “a teddy bear brought to life.” It’s a drizzly morning in West London, but inside this particular neighborhood café—with its bleached walls, mellow background music, and juice bar—the atmosphere is considerably sunnier. She barely sits down before pulling out her iPhone to show me a video. “You are going to have to deal with my cooing noises,” she says.

Fresh-faced and makeup-free, the incredibly busy 20-year-old actress looks reinvigorated after six days at home here in London. Born in Miami to a Spanish-English mother and an Argentinian-Scottish father, she is the youngest of six children, “the baby by a long way,” says Taylor-Joy, whose youngest sister is seven years older than her. Though her accent is as British as mine, her first language is Spanish, and she’s in the process of learning French. Growing up between England and Argentina, she’s been living “pretty much alone” in her childhood home in West London since dropping out of school at age 16 to pursue acting.

This story is from the January 2017 edition of NYLON.

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This story is from the January 2017 edition of NYLON.

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