Bronze Age Bonanza
THE WEEK|June 17, 2018

Wooden coffins, heavily inlaid with copper anthropomorphic motifs, and a Bronze Age chariot unearthed from a Baghpat site dating back to 2200 to 1800 BC have the team of investigators ecstatic

Rekha Dixit
Bronze Age Bonanza

Around four thousand years ago, a man of some military eminence died. He was buried in style, in an elaborate wood coffin inlaid with copper. Beside him, the mourners buried his chariot as well as a torch, his swords and a cunningly crafted shield. Accompanying him in death were his dog and a pet bird.

Sanjay Kumar Manjul is ecstatic. Director of the Institute of Archaeology, Delhi, Manjul points towards the impressions of chariot wheels on tightly packed mud, its copper engravings having developed a patina of green over time. The axle of the chariot is intact, so is the mast, which has been removed and kept aside. “This is a pathbreaking discovery in the entire subcontinent,” says Manjul, mindless of the midsummer sun sending sweat rivulets down his face. “It is the first time ever that we have unearthed a chariot of antiquity, and that, too, from the pre-Iron Age.” Manjul believes the find will force historians to rewrite the history of the subcontinent. The institute is run by the Archaeological Survey of India (ASI).

Manjul and team began working at the site in March, after getting information from Satender Kumar—the owner of the field and pradhan of village Sadiqpur Sanauli in Baghpat district of west Uttar Pradesh—of the possibility of ancient finds. Kumar’s plough had unearthed scraps of copper and shards of pottery. Villagers here know a relic immediately. In 2005, at a field just 120m away, the ASI unearthed a Harappan-era necropolis with 116 skeletons. Some kilometres away, the ASI was working at Barnava, believed to be the Varnavat of the Mahabharat.

This story is from the June 17, 2018 edition of THE WEEK.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the June 17, 2018 edition of THE WEEK.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM THE WEEKView All
Divides And Dividends
THE WEEK India

Divides And Dividends

Contrasting narratives on the scrapping of Article 370 define the elections in Jammu and Kashmir

time-read
4 mins  |
May 19, 2024
Playing it cool
THE WEEK India

Playing it cool

Everybody knows what 420 means in the Indian context. But in American parlance it is something very different: four-twenty or 4/20 or April 20 denotes cannabis celebration; its cultural references are rooted in the hippie culture of the 1960s and 1970s.

time-read
2 mins  |
May 19, 2024
The heroine's new clothes
THE WEEK India

The heroine's new clothes

Who else but Sanjay Leela Bhansali could bring on a wardrobe reset like the one in his just-dropped period piece—an eight-part Netflix series called Heeramandi?

time-read
2 mins  |
May 19, 2024
AI & I
THE WEEK India

AI & I

Through her book Code Dependent—shortlisted for the Women’s Prize for Non-Fiction—Madhumita Murgia gives voice to the voiceless multitudes impacted by artificial intelligence

time-read
4 mins  |
May 19, 2024
Untold tales from war
THE WEEK India

Untold tales from war

Camouflaged is a collection of 10 deeply researched stories, ranging from the world wars to the 26/11 terror attacks

time-read
2 mins  |
May 19, 2024
Hair force
THE WEEK India

Hair force

Sheetal Mallar, in her photobook Braided, uses hair as a metaphor to tell a story that is personal yet universal

time-read
2 mins  |
May 19, 2024
THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES
THE WEEK India

THE WHITE TIGER GAVE ME CONFIDENCE IN MY ABILITIES

The first time Adarsh Gourav made an impression was in Ramin Bahrani's 2021 film The White Tiger, a gripping adaptation of Aravind Adiga's Booker-winning novel.

time-read
4 mins  |
May 19, 2024
The art of political protest
THE WEEK India

The art of political protest

The past doesn’t always remain in the past. Sometimes, it emerges in the present, reminding us about the universality and repetitiveness of the human experience. Berlin’s George Grosz Museum, a tiny gem, is a startling reminder that modern political and social ills are not modern. Grosz lived through World Wars I and II, shining a torch into the heart of darkness in high-ranking men and women—who were complicit in the collapse of the world as they knew it.

time-read
2 mins  |
May 19, 2024
REFUELLING DYING SATELLITES
THE WEEK India

REFUELLING DYING SATELLITES

A Chennai company is making waves in the world of space tech startups

time-read
6 mins  |
May 19, 2024
DIVERSITY IN UNITY
THE WEEK India

DIVERSITY IN UNITY

THE SOUTH ASIAN COMMUNITY IN THE US HAS SEVERAL THINGS IN COMMON, BUT WHEN IT COMES TO THE UPCOMING ELECTIONS, THERE ARE WIDELY DIFFERING OPINIONS AND FEELINGS

time-read
5 mins  |
May 19, 2024