‘Nobody In Rome Will Mind A Videshi Translating Aeneid'
Outlook|June 11, 2018

Sheldon Pollock, one of the world’s most eminent Sanskritists and founder-editor, Murty Classical Library, was in the eye of a storm a few seasons ago. In India for a talk at Ashoka University, he reprises the themes in an interview with Sunil Menon.

Sunil Menon
‘Nobody In Rome Will Mind A Videshi Translating Aeneid'

There are two tracks we can go down here. One is to stay in the deep, if not entirely still waters of the academic. But when a scholar emerges from the silence of the library, it’s a noisy world out there. The world of petitions. How did you negotiate this recent turbulent phase?

I knew that would be your first question! You see, for an obscure scholar of Sanskrit from a distant country to be invited to a briefing with the press is on the face of it very odd. Imagine an American scholar of Virgil who comes to Rome and is queried by the press about his attitude towards Aeneas! The good side is that people take the classical past in India very seriously. People care. I see this in many areas. Think how many rapes happen in the US every single day, but when something of that tragic sort happens in India, as we’ve seen in these months, Indians show a degree of empathy and collective sorrow that’s extraordinary. So there’s a sense that you are dealing with a polity, a collectivity, of people who are emotionally deeply eng­ aged with the world. However tragic the circumstances, I find that amazing. This is something I’ve been thinking about.

Do you think this tendency is new?

This story is from the June 11, 2018 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the June 11, 2018 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM OUTLOOKView All
The Propaganda Files
Outlook

The Propaganda Files

A recent spate of Hindi films distorts facts and creates imaginary villains. Century-old propaganda cinema has always relied on this tactic

time-read
10+ mins  |
April 21, 2024
Will Hindutva Survive After 2024?
Outlook

Will Hindutva Survive After 2024?

The idealogy of Hindutva faces a challenge in staying relevant

time-read
7 mins  |
April 21, 2024
A Terrific Tragicomedy
Outlook

A Terrific Tragicomedy

Paul Murray's The Bee Sting is a tender and extravagant sketch of apocalypse

time-read
4 mins  |
April 21, 2024
Trapped in a Template
Outlook

Trapped in a Template

In the upcoming election, more than the Congress, the future of the Gandhi family is at stake

time-read
8 mins  |
April 21, 2024
IDEOLOGY
Outlook

IDEOLOGY

Public opinion will never be devoid of ideology: but we shall destroy ourselves without philosophical courage

time-read
7 mins  |
April 21, 2024
The Many Kerala Stories
Outlook

The Many Kerala Stories

How Kerala responded to the propaganda film The Kerala Story

time-read
6 mins  |
April 21, 2024
Movies and a Mirage
Outlook

Movies and a Mirage

Previously portrayed as a peaceful paradise, post-1990s Kashmir in Bollywood has become politicised

time-read
4 mins  |
April 21, 2024
Lights, Cinema, Politics
Outlook

Lights, Cinema, Politics

FOR eight months before the 1983 state elections in undivided Andhra Pradesh, a modified green Chevrolet van would travel non-stop, except for the occasional pit stops and food breaks, across the state.

time-read
6 mins  |
April 21, 2024
Cut, Copy, Paste
Outlook

Cut, Copy, Paste

Representation of Muslim characters in Indian cinema has been limited—they are either terrorists or glorified individuals who have no substance other than fixed ideas of patriotism

time-read
5 mins  |
April 21, 2024
The Spectre of Eisenstein
Outlook

The Spectre of Eisenstein

Cinema’s real potency to harness the power of enchantment might want to militate against its use as a servile, conformist propaganda vehicle

time-read
5 mins  |
April 21, 2024