I'd Make Sanju Even If I Hadn't Worked With Sanjay
Outlook|May 28, 2018

They collapsed the boundaries between mainstream entertainers and meaningful cinema much earlier in the day and, released at crucial post-lib junctures, came to almost define a 21st century national cinema—passing muster with the masses and the classes alike. Just four films—Munna Bhai MBBS (2003), Lage Raho Munna Bhai (2006), 3 Idiots (2009) and PK (2014)—make Nagpur-born director Rajkumar Hirani one of the finest filmmakers of his generation. The 55-year-old auteur is now ready with his next, Sanju, a biopic depicting the turbulent life of Bollywood’s enfant terrible, Sanjay Dutt. With Ranbir Kapoor in the lead, the film, due for release on June 29, may well be the master filmmaker’s litmus test, as he has made a foray into the unfamiliar and dicey terrain of biopics with a movie on the life of somebody he has known professionally and personally for years. In conversation with Giridhar Jha, Hirani spells out the reasons behind making the biopic, dismissing the charge that he has made it to glorify his actor-friend, known for his chequered life and career. Excerpts from the interview:

Giridhar Jha
I'd Make Sanju Even If I Hadn't Worked With Sanjay

You have delivered four blockbusters on the trot. With that kind of resume, I presume there should be no reason for butterflies in the belly ahead of the next release. Far from it, I get butterflies with every rel­ease.

I remember—Boman Irani still jokes about it—how I had called him a week after the release of 3 Idiots, asking him if the film was really working at the box office, or was it just because of Aamir Khan that people were flocking to the theatres.

So yes, I do get nervous before a release. The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people. So there’s some amount of nervousness even now, but I am feeling happy and upbeat that I have made a different kind of movie. I am eagerly waiting for people to react to it.

Making this movie in particular must have been very challenging, if not scary. A biopic is expected to be an objective and dispassionate account of someone’s life. And you have dared to make a movie on someone with whom you have had a long association, both personal and professional. Weren’t you apprehensive that you might end up making a hagiographic film meant to glorify Sanjay Dutt?

There is no reason for us to make a movie to glorify Sanjay Dutt. We are in a pretty good space, and we can make any film we want to. I could have chosen to make the next edition of the Munna Bhai series instead of Sanju. Even if it were a bad Munna Bhai, people would still go and watch it initially. The only reason I have made this film is that I found it to be a very compelling story. I discovered the many sides of it which people did not know.

This story is from the May 28, 2018 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

This story is from the May 28, 2018 edition of Outlook.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.

MORE STORIES FROM OUTLOOKView All
Will Hindutva Survive After 2024?
Outlook

Will Hindutva Survive After 2024?

The idealogy of Hindutva faces a challenge in staying relevant

time-read
7 mins  |
April 21, 2024
A Terrific Tragicomedy
Outlook

A Terrific Tragicomedy

Paul Murray's The Bee Sting is a tender and extravagant sketch of apocalypse

time-read
4 mins  |
April 21, 2024
Trapped in a Template
Outlook

Trapped in a Template

In the upcoming election, more than the Congress, the future of the Gandhi family is at stake

time-read
8 mins  |
April 21, 2024
IDEOLOGY
Outlook

IDEOLOGY

Public opinion will never be devoid of ideology: but we shall destroy ourselves without philosophical courage

time-read
7 mins  |
April 21, 2024
The Many Kerala Stories
Outlook

The Many Kerala Stories

How Kerala responded to the propaganda film The Kerala Story

time-read
6 mins  |
April 21, 2024
Movies and a Mirage
Outlook

Movies and a Mirage

Previously portrayed as a peaceful paradise, post-1990s Kashmir in Bollywood has become politicised

time-read
4 mins  |
April 21, 2024
Lights, Cinema, Politics
Outlook

Lights, Cinema, Politics

FOR eight months before the 1983 state elections in undivided Andhra Pradesh, a modified green Chevrolet van would travel non-stop, except for the occasional pit stops and food breaks, across the state.

time-read
6 mins  |
April 21, 2024
Cut, Copy, Paste
Outlook

Cut, Copy, Paste

Representation of Muslim characters in Indian cinema has been limited—they are either terrorists or glorified individuals who have no substance other than fixed ideas of patriotism

time-read
5 mins  |
April 21, 2024
The Spectre of Eisenstein
Outlook

The Spectre of Eisenstein

Cinema’s real potency to harness the power of enchantment might want to militate against its use as a servile, conformist propaganda vehicle

time-read
5 mins  |
April 21, 2024
The Thalaiva Factor
Outlook

The Thalaiva Factor

At atime when Bollywood Is churning out propagandist narratives, south cinema, too, has Stories to tell

time-read
6 mins  |
April 21, 2024