In a city where most fashion show venues are drafty piers or repurposed photo studios, holding your d&eacute;fil&eacute; at the Temple of Dendur is what you might call a flex. But the setting, in a courtyard of New York&rsquo;s Metropolitan Museum of Art, couldn&rsquo;t have been better suited to Chanel&rsquo;s M&eacute;tiers d&rsquo;art show, which, with the possible exception of Couture Week, is a festival of craft like no other. The annual event, held in December, relies on the contributions of Chanel&rsquo;s artisan partners, including the Lesage embroidery and Barrie knitwear ateliers, to create unbelievably intricate pieces. It&rsquo;s traveled everywhere from a symphony hall in Hamburg, Germany, to the Dallas park that hosts the Texas state fair to a pontoon in Shanghai. This past winter, the Chanel train pulled into Manhattan, hot on the double C&ndash;stamped heels of the house&rsquo;s declaration to ban exotic skins&mdash;crocodile, lizard, snake, and galuchat&mdash;as well as fur. According to Bruno Pavlovsky, president of fashion at the house, the decision came out of the increased difficulty of finding skins that matched Chanel&rsquo;s ethical standards. &ldquo;Without sustainable development, respect for our planet, and responsible sourcing of raw materials, there is no possible future for the luxury sector,&rdquo; he says. &ldquo;We feel a luxury&mdash;and global&mdash;brand needs to be irreproachable in all aspects, not just when it comes to the quality of its products.&rdquo;<img class="img1-thumbnail" src="https://magarticles.magzter.com/articles/2241/343609/5cc1c2146192a/page921556201976.jpg"" owidth=252 oheight=408" style="height:810px; margin:0px; position:relative; width:500px" />The shift is in keeping with an overall movement sweeping the industry. In the past two years, houses from Gucci and Versace to Burberry and Michael Kors have gone fur-free and, in some cases, created incredibly realistic faux versions that only a pro could distinguish from the genuine article.But the challenge that faced the Chanel ateliers was a more arduous one: to replicate the effects they would have achieved through the use of exotic skins. So, for example, on a clutch with Chanel&rsquo;s traditional quilting and a pyramid motif (top right), the artisans used embossing to create a croc-like effect.Customers will be able to judge for themselves up close when the pieces arrive in stores this month. For his part, Pavlovsky believes that the resulting creations will be &ldquo;ultimately more exciting,&rdquo; because of, not in spite of, these added restrictions. &ldquo;The focus will be about Chanel&rsquo;s creativity and capacity to innovate,&rdquo; he says, &ldquo;rather than a supply challenge.&rdquo;The show was, of course, monumental for another reason as well: It marked Karl Lagerfeld&rsquo;s final runway appearance, with the late designer taking his bow alongside successor Virginie Viard. It&rsquo;s fitting that in this respect, and throughout his career, the designer was always ahead of the curve.

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{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.