SPENDING 12 DAYS AT THE CANNES Film Festival is, for movie lovers, pretty close to paradise, and most years it’s extremely easy to lose track of the world outside. Not so this year.
Even if nearly all critics and journalists dutifully switched off their phones during screenings, most of us couldn’t resist powering up immediately afterward to check for news updates. World events don’t stop unspooling as we’re sitting in the dark. Plus, security was tighter than ever this year: at press screenings and gala premieres, every saggy backpack and bejeweled minaudière was thoroughly inspected by the cheerful staff, women in sleek Mondrian-style dresses that Emma Peel would have loved. Everything in Cannes, including the employees’ uniforms, is just a little bit glamorous. That’s less a way of avoiding an uncertain, scary world than an act of standing as a bulwark against it.
This story is from the June 12,2017 edition of Time.
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This story is from the June 12,2017 edition of Time.
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