Making his broadway debut in kenneth lonergan’s the waverly Gallery, Lucas hedges is learning to love the spotlight.
FOR LUCAS HEDGES, ACTING is a kind of ongoing education in how to live in the world. Take his performance as a troubled and mordant young man who’s just lost his father in Kenneth Lonergan’s gorgeously melancholy 2016 film Manchester by the Sea, which Hedges calls “the most formative role of my life.” Any young actor would jump at the chance to play one of Lonergan’s flawed, complexly drawn underdogs. “Every character Kenny writes is really just trying to do the right thing, and there’s something in their lives that’s making it very hard,” he says. But Hedges also saw it as an opportunity for growth. “I had never experienced any loss in my life,” explains the 21-year-old actor, who has said that during filming he imagined what it would be like to lose his father. “And this was a chance to explore that, because we all have to face it at some point.”
Hedges’s willingness to invest himself so personally in the role earned him an Oscar nomination and has made him a star. Now he’s reuniting with Lonergan—and making his Broadway debut—in a revival of The Waverly Gallery, the playwright’s lacerating comic drama. Opening this month at the John Golden Theatre under the direction of the protean young Lila Neugebauer (The Wolves; The Antipodes) in her own Broadway debut, it features a fantastic cast, including Michael Cera, who starred in the last two revivals of Lonergan’s plays, and the legendary Elaine May, returning to the stage for almost the first time since she and her equally legendary late comedy partner set the world on fire in 1960’s An Evening with Mike Nichols and Elaine May. Hedges plays a 20-something speechwriter trying to cope with his once-vibrant grandmother’s mental deterioration.
This story is from the October 2018 edition of Vogue.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the October 2018 edition of Vogue.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
A Mother's Story
In a Broadway revival of Amy Herzog's play Mary Jane, Rachel McAdams finds uncommon grace in an account of parental struggle and pain.
Old Souls
A new production of Uncle Vanya brings the eternal wisdom of Anton Chekhov to the stage.
ELIZABETH DEBICKI
The actor who brought Princess Diana to life—and won a passel of awards in the process—is ready to transform anew.
If the Shoe Doesn't Fit
Forever looking for a 42 ina world of 39s.
Stuck on You
Once applied primarily to adolescent totems, stickers for wellness!are growing up.
Partial to It
Gen Zers have deemed side parts hopelessly outdated, but new defenders see the appeal.
With Nail and I
Inspired by recent runways, Lena Dunham tries on inch-long talons and mere tip-skimming lengths, and wonders: What do our nails say about all we’re asked to do?
Not Black and White
At just 27, Anna Park has made a major impression on the art world. Dodie Kazanjian visits her studio.
Prep School
Back in the '90s, Plum Sykes arrived in New York from London and promptly found herself in the thrall of preppy chic. Now, she writes, it's all coming back.
States of WONDER
John Galliano's recent Maison Margiela triumph was an haute couture tour de force. Yet, as Hamish Bowles recalls, it's but the latest in the designer's long history of era-defining shows.