The Australian actor and King Arthur star—who got his unlikely start in comedy—has carved out a niche in Hollywood by playing haunted characters and never forgetting where he came from
In 2000, Eric Bana starred in an Australian movie based on the life of a notorious criminal and folk hero named Mark Brandon “Chopper” Read, a goateed, silver-grilled biker who boasted of murdering almost 20 people in Melbourne in the 1970s and ’80s. Bana brought to life Read’s unique brand of charisma and psychopathy in a way that somehow evoked both revulsion and sympathy. The performance was career-making, and anyone who saw it knew Bana was put on earth to be a movie star.
Since Chopper, Bana has spent nearly two decades in Hollywood playing tortured souls—think Avner in Munich, Hector in Troy, and King Henry VIII in The Other Boleyn Girl—all while conveying an affability and genuineness that makes him seem like a guy you’d want to have a beer with. Now 48, Bana never moved away from his hometown of Melbourne, where he lives with his wife and two teenage children, surrounded by friends he grew up with. Despite a few early miscalculations on the path to leading man (namely, Hulk), Bana has defined his career on his own terms. These days you’ll find him in smaller but pivotal parts in big-budget blockbusters—the villain Nero in 2009’s Star Trek and as Uther Pendragon in this month’s King Arthur: Legend of the Sword, directed by Guy Ritchie— and in meaty leading roles in brainy indie films, such as the upcoming The Forgiven, opposite Forest Whitaker.
This story is from the May 2017 edition of Maxim.
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This story is from the May 2017 edition of Maxim.
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