I’m only half-kidding. High-end audio is deadly serious for many passionate audiophiles. Some measurement types defend their turf without thought—without mercy—and often deride subjectivists, like me, who believe if you like what you hear, then that’s what counts, enjoy. Objectivists say if you can’t measure it, then it doesn’t exist. Well, goes the retort, you don’t know what to measure, your instruments aren’t refined enough, and on and on.
The struggle continues to this day for some reason, and boy-howdy is it ferocious, especially regarding cables.
People, please, you want to grow our industry? This isn’t productive. It drives music lovers away from a potential joy of a lifetime. Which, given the circumstances, is a crying shame, as now you can buy so much quality for so little money. Check out Herb Reichert’s Gramophone Dreams column, or Steve Guttenberg’s Audiophiliac YouTube channel, for reviews of affordable systems that make music the high-end way. Dealers, retailers, please realize that these people are out there and need their music, especially as we’re all still suffering from the pandemic. Be imaginative and find ways to reach them in this new environment.
This story is from the December 2020 edition of Stereophile.
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This story is from the December 2020 edition of Stereophile.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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