As long as you’re happy.”
That’s the line long uttered by the most dreaded members of my family, and their friends, whenever they tried to pry into my personal affairs. Often the last word, “happy,” was uttered with a downward cadence and accompanied by a shrug.
Then came the kicker. “You are happy, aren’t you?” said with eyes boring into my soul. “Well, as long as you’re happy.”
Cue the telltale shrug. With disapproval voiced and points scored, it was time for the obligatory peck on the cheek, handshake, or—worse— mutual male hug disguised as burp assistance.
Thus were the seeds of doubt planted by those who used words and looks in place of cordless leashes and electroshock. Was I truly happy, or was I masking deep-rooted existential dis-ease? What does it mean to be happy? Is contentment good enough, or is it merely a convenient compromise?
Irony of ironies, here I am decades later asking myself the same question. Except, whereas before the mandate to probe my emotions was intrusive and unwelcome, now it’s something I’m paid to do as I listen to audio equipment and recordings. Just what are you really feeling while you’re listening, Serinus? You are happy, aren’t you?
Questions asked become questions owned. Karma and dharma united in a macabre dance, à la Shostakovich.
Which brings us, in ways that will hopefully become apparent, to the latest piece of gear to fall within the Serinus reviewing sights, Audio Research Corporation’s new, top-of-the-line single-chassis 1 line-stage preamplifier, the Reference 6SE ($17,000), ARC REF 6SE for short. An updated version of the discontinued REF 6 ($15,000), which was released in 2015, its changes include new capacitors and a lot of new wiring. Otherwise, the preamp’s fundamental design, housing, and specs remain the same. Current REF 6 owners can upgrade to the 6SE for $3000. All new parts are installed by hand in a changeover that requires a full day.
According to Audio Research Corporation’s extremely knowledgeable and articulate national sales manager and brand ambassador, David (Dave) Gordon, who has been with the company for more than 31 years, the REF 6SE was made possible by the many years of development and research that produced Stereophile’s 2018 Joint Amplification Product of the Year, 2 the 160M monoblock amplifier, reviewed by yours truly, 3 and the 160S stereo amplifier, reviewed by Jim Austin. 4 The engineers who worked on those amplifiers were responsible for the development of the REF 6 and the REF 6SE.
“In the final stages of developing the REF 6, we spent a year working on capacitors, especially coupling caps, because they made such a big difference,” Gordon explained by phone. “We listen to the distinctive sound of all the caps we get, and change wraps and materials (e.g., foil, quality and amount of copper, dielectrics, soldering) as necessary because they always make a difference. It’s like making a fine dish. A good cook will sample along the way and add a little more spice or salt to taste. That’s what we do with our circuits. We know what our products sound like, and we’re looking to get better sound without trade-offs.”
Eager to apply what they’d learned in developing the 160S, ARC’s engineers first tried changing some of the REF 6 preamp’s capacitors. Then they focused on hook-up wiring, incorporating wire from two different manufacturers and experimenting with different dielectrics. Finally, they put the two together and tweaked until everything worked synergistically and the company’s “ears,” Sonic Evaluation/ Materials Engineer Warren Gehl, signed off.
“We know that we can hear things we can’t measure,” Gordon told me. “Bill Johnson, who founded Audio Research in 1970, always made a point of saying that we measure statically but listen dynamically. When we measure, we cut off the signal in time; when we listen dynamically, the music flows. We just don’t have enough measurements to describe what we’re hearing. Something can measure well and sound bad. Skilled engineers learn how to tweak the circuit and parts to produce the sound they want. That’s where the art lies.”
What it is
The REF 6SE is a fully balanced, class-A design with zero feedback. To quote the late and great Art Dudley, who authored the REF 6 preamp entry in the fall 2019 edition of Stereophile’s Recommended Components, “The audio circuits include three 6H30 dual-triode tubes per channel, while the power supply has one 6H30 and one 6550WE tube. The eight pairs of line-level inputs are evenly divided between single-ended (RCA) and balanced (XLR), alongside three pairs each of single-ended and balanced outputs. Among the Reference 6’s electronically controlled functions are its 103-step volume control, signal-polarity inversion, and a mono switch. [Michael Fremer] noted the Reference 6’s unimpeachable specs and reported that while listening to favorite recordings through it, he heard ‘intense surprises that I’m sure can’t be measured. Record after record, I found that the Reference 6 greatly increased my understanding of very familiar recordings.’ In measuring the Reference 6, JA noted ‘superb channel matching, ‘inconsequential AC-supply noise,’ and, overall, ‘little hint of the presence of tubes in the circuit’—that last observation intended as a compliment.”
When, at Gordon’s suggestion, I used the REF 6 preamp in my review of the 160M monoblocks, I found that it enhanced air and depth as well as midrange beauty. Once I replaced my DAC’s volume control with the REF 6, “the sound of the horns was to die for, and bass lines were well defined,” I wrote. “Everything sounded more substantial and gained in emotional impact. … The bloom [my friend Gary and I] heard with the ARC pairing of Reference 160Ms and REF 6 sounded heavenly to our ears. Forget the oft-invoked ‘It’s all good’—what we heard was much better than that.” The REF 6’s relatively modest touches of warmth and roundness, which were quite pleasing, left me eager to discover how its REF 6SE successor would sound.
You can read up to 3 premium stories before you subscribe to Magzter GOLD
Log in, if you are already a subscriber
Get unlimited access to thousands of curated premium stories, newspapers and 5,000+ magazines
READ THE ENTIRE ISSUE