Then I remembered: Nobody quite does INdecency like Rylance, either. Watch him play a villain, a creep, or maybe a scheming Shakespearean king, and you’ll be chilled to the bone.
Comedy or tragedy, prose or verse, stage or screen: This is simply an actor who couldn’t strike a false note if he tried. And if he seems perfectly cast as the purposely nondescript Magistrate in “Barbarians,” a visually striking but frustratingly slow-moving film based on the award-winning novel by J.M. Coetzee, it’s perhaps because, well, he’s well cast in pretty much everything he does.
And it’s no easy task, playing a nameless man, neither hero nor villain, serving a nameless Empire in a nameless time in the border region of a nameless land. It’s tricky precisely because, as you may have guessed, there’s so much that’s necessarily left unspecified in this adaptation from Colombian director Ciro Guerra, with a screenplay by the Nobel-winning South African author himself.
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