For two days in early June, as America was updating in sustained protests over the killing of a Black man, George Floyd, by police in Minneapolis, the most-watched movie on Netflix was The Help. The 2011 film—which depicts Black servants work-'g in affluent white households in 1960s Mississippi, and centers on a white female journalist—won acclaim in some quarters. But it has also been criticized as a sentimental and simplistic portrayal of racism—and redemption—amid the cruelties of Jim Crow. To ask what was going on here—why people started watching The Help at a moment of deep racial trauma—is to risk tumbling down a rabbit hole. That the movie was newly available on Netflix does not explain everything. One reality that the Help phenomenon makes us recognize is the enduring power of mythology when it comes to American racism. Mythology takes many forms. Sometimes it involves a desperate grasping for affirmation. Sometimes it involves a gauzy nostalgia. Sometimes it involves a willful ignorance. All of these strains, and others, are woven into a larger and enduring narrative— the mythology of racial progress.
This is uniquely American mythology. Since the nation’s founding, its prevailing cultural sensibility has been optimistic, future-oriented, sure of itself, and convinced of America’s inherent goodness. Despite our tragic racial history, Americans generally believe that the country has made and continues to make steady progress toward racial equality. Broad acceptance of this trajectory underlies the way our leaders talk. It also influences the way racism is treated in popular culture.
This story is from the September 2020 edition of The Atlantic.
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This story is from the September 2020 edition of The Atlantic.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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