“He sat there for a while, intrigued by my fingering technique, wonder-struck by the veena’s unique sound. Since I could not attend his Chennai concert due to prior commitments the organizers flew me to his Colombo concert,” recalls Kannan, 56. Now, the lockdown has provided an interregnum—a cessation of activities that the Chennai-based musician is using, among other things, to play his veena along with two of Yanni’s famous compositions, remotely and digitally.
“With no concerts possible I decided to become part of Yanni’s orchestra. So, for almost a month I listened and practiced along with the videos of his two short compositions—Standing in Motion and Nostalgia. Since the veena is an instrument with frets I had to scale up my speed to match Yanni’s flying fingers on the keyboards and the dizzyingly swift violins of his troupe,” says Kannan about his preparation.
This story is from the June 29, 2020 edition of Outlook.
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This story is from the June 29, 2020 edition of Outlook.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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