The tritone interval has attained notoriety for providing both dissonance and menace in music, at one point in history earning the title of ‘Diabolus in Musica’ (the devil in music). Constructed from the symmetrical distance of three tone spaces (literally tri-tones), this edgy musical formula is used in heavy rock music, milking the evil symbolism of recurring sixes (666) for all its worth. While this might be the obvious application for such a sound, what we’re exploring here today is the value of this intriguing interval in jazz music, along with its close relation, the blues.
This story is from the Spring 2020 edition of Guitar Techniques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the Spring 2020 edition of Guitar Techniques.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
DOUBLE-STOPS
Playing two notes together is a useful addition to any guitarist’s arsenal. Simon Barnard shows how this can be used in a variety of styles.
BOB DYLAN
This month Stuart Ryan shows how the fleet fingerpicking acoustic style of the protest song legend enriched song accompanient forever.
BRIAN SETZER
For this issue Andy G Jones is looking to unravel the style of rockabilly’s most ardent torchbearer, the stupendous Stray Cat himself.
ALLAN HOLDSWORTH
Experiencing Metal Fatigue? Sinking in quick Sand? Then join Charlie Griffiths as he unlocks the secrets of the master of Wardenclyffe Tower.
RADIQHEAD
Martin Cooper checks out the sound of an era-defining band from Oxford, and guitarists Thom Yorke, Jonny Greenwood, and Ed O’Brien.
MUDDY WATERS
The father of Chicago blues is in the spotlight this month. Join David Gerrish as he examines the man who electrified and defined the genre.
JOSÉ FERRER El Amable (Andante Sostenuto)
This month Declan Zapala explores a hidden gem from 19th-century Spain's heritage of composer-educators of the classical guitar, whose influence is still felt today.
THE CROSSROADS Eric Johnson
This month John Wheatcroft looks at the iconic guitarist from Texas, atrue crossroads’ artist with a 4 phenomenal command of touch, tone and technique.
ULF WAKENIUS Seven Jazz Licks
John Wheatcroft brings you an exclusive lesson from the Swedish ex-Oscar Peterson virtuoso, showcasing his phenomenal technique and incredible jazz lines.
Country-Blues-Rock!
This month Andy Saphir shows how mixing Major and Minor Pentatonic scales, adding extra notes and country guitar articulations, can build you a whole new lickbag.
