My favorite thing about music is those ‘Holy shit!’ moments, where a song gets you saddled in and comfy, then starts climbing that hill like a rickety old wooden rollercoaster, building tension before... ‘Boom!’ The payoff. I discovered that the groove is what takes your inhibitions away, and the tension created by ripping away from the main riff is the design engineer of that glorious feeling. Plus, I started playing when I was 21, and it seemed like the only way I could transition from fan to musician and make a career out of it.
This story is from the November 2020 edition of Bass Player.
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This story is from the November 2020 edition of Bass Player.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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