Simone Rocha remembers cramming into Hong Kong’s trams with her extended family every Easter to visit the hilly cemeteries, where she laid cigarettes, ginger cake and tea in front of her grandparents’ headstones. Easter usually coincides with Ching Ming, the Chinese “grave-sweeping” holiday when people pay respect to family members who have passed away, and the 34-year-old designer would fly in from London, where she lives, for this sacred tradition. “We’d speak to [her grandparents], have whole conversations with them, then head down and have a large lunch,” says Rocha, smiling at the memory.
The idea of ceremony, be it confirmations or even funerals, is a constant source of inspiration for the Irish-Cantonese designer, who draws references from both sides of her heritage. One might never know Rocha had roots in Asia, given her heavy Irish accent. For an interview over Zoom, she wears her customary all-black uniform, her hair swept into a side ponytail and her large, round eyes looking serious. The books on a shelf behind her include titles by the likes of Seamus Heaney, Francis Bacon and Picasso.
This story is from the Oct 2020 edition of Tatler Singapore.
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This story is from the Oct 2020 edition of Tatler Singapore.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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