On a squally Monday morning I visited her atelier, located next to Amsterdam’s Centraal Station overlooking the IJ river and nestled in a nondescript building occupied by other fellow craftsmen like a piano maker. Based on her reputation for melding cutting-edge technology with traditional couture techniques, I had expected to see industrial fabric printers stationed everywhere, but there were no whirring machines in her brightly lit studio, just the quiet chatter of two assistants painstakingly glueing pieces of comma-shaped silicone onto tulle. The months immediately after a show are usually the calmest for Van Herpen, who recently vacationed in La Gomera in Tenerife to recharge. Dressed in a mohair jumper and black jeans, her long, slender face kept bare save for two dashes of eyeliner, she appears as willowy and unexpectedly beautiful as one of her dresses.
This story is from the April 2020 edition of Tatler Singapore.
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This story is from the April 2020 edition of Tatler Singapore.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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