For Girls, Yang shot Asian women, mostly born in the Eighties, over the course of a decade in settings where they felt most at ease, lending a sense of authenticity in an increasingly filtered and airbrushed world.
“The idea mostly came from my personal life,” she says. “I aimed for it to be a record of people I knew and what I saw on a daily basis. Their stories touched me and I thought it would’ve been such a pity to let those precious moments be forgotten in time.”
This story is from the June 2020 edition of Tatler Hong Kong.
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This story is from the June 2020 edition of Tatler Hong Kong.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
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