Lucia Silvestri of Bulgari tells Timothy Coghlan what it’s like to be one of the most influential women in jewellery.
During her 30 years with Bulgari, Lucia Silvestri has established herself as an industry powerhouse, becoming the first person outside the famed jewellery clan to be trusted to buy gems for the brand, and rising to the rank of creative director. Hunting for exquisite stones to add to the jeweller’s glistening portfolio, she bestrides the treasure map of the world, sourcing important stones from Jaipur to Geneva and from Sri Lanka to Cambodia. Now, her well stamped passport bears another emblem – that of China where, in Beijing, the glamorous Italian talked about her adventures in the gem trade.
Can you give us an overview of your job?
Here in front of us we have a small table covered with different gemstones, an example of my working table in Rome, and this is the starting point of the high jewellery [design] process. When we work with diamonds we start from an idea, a suggestion or an inspiration. When we work with coloured gems we have to start from the gems and create the design around them. My job is to find the gems and then put them together into jewellery pieces. So, I travel around the world to try and find inspiration and the best stones in the world.
When designing the jewellery it’s very important for me to be back in Rome, sitting in my office, in my comfort zone, to feel the Roman atmosphere, the Roman colours, and to collect my ideas.
I start to play with the stones and test different combinations of colours to see how they can form a necklace, for instance. Here I have a bag of fancy coloured sapphires from Sri Lanka that I just bought. I pour them out and start to move them around to play with different designs; and this is the starting point for a Bulgari necklace. The design process for each piece is quite long and could take between one and three months, depending on whether we’re happy with the concept, with the harmony of the colours, and with the shape.
This story is from the January 2018 edition of Prestige Hong Kong.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the January 2018 edition of Prestige Hong Kong.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 8,500+ magazines and newspapers.
Already a subscriber? Sign In
One Step Beyond
Dancer and actress JENNA DEWAN TATUM has built a career tripping the light fantastic.
Crown and Glory
The “Forbidden City” plays host to an array of fine art and jewellery, and Chaumet’s aptly named Imperial Splendours exhibition.
Bright Young Things
After some serious time in the limelight, summer’s big make-up trend is finally putting brows in the shade.
Fragrant Fancies
The nose behind the reinterpretation of three Bulgari fragrances, Sophie Labbe talks to ZANETA CHENG about the jewels of scent, floral absolutes and ageless femininity.
Reachable Recharge
The wellness effect of a stay at Amanoi, in a remote part of south-eastern Vietnam, begins before arrival.
Contemporary Inklings
With a mixed palette of traditional Chinese painting skills and avant-garde Western influences, octogenarian LIU KUO-SUNG, a leading force in modern ink art, reflects on his work with ANDREW DEMBINA.
French Lessons
STEPHEN MCCARTY discovers the dark side of jazz-era China.
Top of the Crops
It’s been a long time coming, but the health-food movement has finally hit Hong Kong’s fine-dining scene.
Modern History
Delvaux’s Hong Kong flagship store has just opened its gilded doors in Central.
Double Act
Two designers, two brands, two worlds. Creative directors Laura Kim and Fernando Garcia tell Alice Franklin why taking the reins at Oscar de la Renta made sense as Monse, their new brand on the block, continues to impress
