I worked at various start-ups for eight years beginning in 2010, when I was in my early 20s. Then I quit and went freelance for a while. A year later, I returned to office life, this time at a different start-up. During my gap year, I had missed and yearned for a bunch of things, like health care and free knockoff Post-its and luxurious people-watching opportunities. (In 2016, I saw a co-worker pour herself a bowl of cornflakes, add milk, and microwave it for 90 seconds. I’ll think about this until the day I die.) One thing I did not miss about office life was the language. The language warped and mutated at a dizzying rate, so it was no surprise that a new term of art had emerged during the year I spent between jobs. The term was a parallel path, and I first heard it in this sentence: “We’re waiting on specs for the San Francisco installation. Can you parallel-path two versions?”
Translated, this means: “We’re waiting on specs for the San Francisco installation. Can you make two versions?” In other words, to “parallel-path” is to do two things at once. That’s all. I thought there was something gorgeously and inadvertently candid about the phrase’s assumption that a person would ever not be doing more than one thing at a time in an office—its denial that the whole point of having an office job is to multitask ineffectively instead of single-tasking effectively. Why invent a term for what people were already forced to do? It was, in its fakery and puffery and lack of a reason to exist, the perfect corporate neologism.
This story is from the February 17 - March 1, 2020 edition of New York magazine.
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This story is from the February 17 - March 1, 2020 edition of New York magazine.
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