Kenneth Frampton, in his book Modern Architecture: A Critical History, in chapter four (Place, Production & Scenography, International Theory and Practice since 1962), discussed the imaginative interpretation of Fuller’s project on geodesic domes, Kikutake on Marine City, Isozaki on the Gunma Prefectural Museum, Rogers & Pianos’ Pompidou Center and Foster + Partners’ Hong Kong-Shanghai Bank.
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