Among the unfulfilled ambitions that Murphy explored and reimagined in his alt-history period series is an industry-wide undermining of the black community’s successes in film. The character of Camille — based on the true story of the Oscar-nominated actress Dorothy Dandridge, a bitter truth Murphy rewrote — is christened, in the finale, at the 1948 Oscars. She gains access into the theatre venue, sits front-row, and receives the award in a long, pink tulle dress — a series of events Dandridge never experienced in reality.
This story is from the October 2020 edition of T Singapore: The New York Times Style Magazine.
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This story is from the October 2020 edition of T Singapore: The New York Times Style Magazine.
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